:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FDidion%20%26%20Babitz.jpg)
Fitful Glimpses and Spurts
Katie Kadue reviews Lili Anolik’s “Didion & Babitz.”
All Reviews
Whose Future Is It Anyway?
Jess Maginity reviews Jordan S. Carroll’s “Speculative Whiteness: Science Fiction and the Alt-Right.”
Chronicles of Collapse
Erik Loomis reviews “The Burning Earth: A History” by Sunil Amrith.
Tighten Up
Brendan Boyle considers Coralie Fargeat’s “The Substance.”
Real Dolls
Kara Rota reviews Coralie Fargeat’s film “The Substance.”
It’s Time for My Voice to Be Deferred
In the latest installment of Screen Shots, Michael Szalay reviews Alfonso Cuarón’s new Apple TV+ series “Disclaimer.”
Pornsick Nabokov
Mike Jeffrey considers Tony Tulathimutte’s “Rejection.”
Playing with the Past
Cory Oldweiler reviews Federica Marzi’s novel “My Home Somewhere Else,” newly translated by Jim Hicks.
The Elizabeth Strout Formula
Annie Berke considers adaptation, crossovers, and genre in her review of the novelist’s latest, “Tell Me Everything.”
A Different Dust Bowl
Tia Glista reviews Iris Jamahl Dunkle’s “Riding Like the Wind: The Life of Sanora Babb.”
Everything Leads to Something Else
Rowland Bagnall explores Beverley Bie Brahic’s “Apple Thieves.”
This Book Is About Me
Randle Browning reviews Emily Adrian’s new work of autofiction, “Daughterhood.”
The World Needed More Lorca
Dean Rader reviews “The Dream of Apples: Selected Poems of Federico García Lorca,” translated by Rebecca Seiferle.
The Art of Solipsism
Ellena Basada considers Zia Anger’s “My First Film.”
A Weapon Straining Against Its Nature
Shinjini Dey reviews Paolo Bacigalupi’s “Navola.”
Myth’s Objects
Brianna Di Monda reviews Domenico Starnone’s “The Mortal and Immortal Life of the Girl from Milan.”
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fspeculative%20whiteness%20carroll.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FThe%20Burning%20Earth.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FThe%20Substance%20Boyle%202.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FSubstance%20Rota.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FDisclaimer_Photo_010102.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FRejectionTulathimutte.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FMy%20Home%20Somewhere%20Else-1.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FTell-Me-Everything.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FRiding-Like-the-Wind.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FApple-Thieves.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FDaughterhood.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FThe%20Dream%20of%20Apples.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FMy%20First%20Film.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FNavola.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FThe%20Mortal%20and%20Immortal%20Life%20of%20the%20Girl%20from%20Milan.jpg)