Gods of the Moment, Choosing Who Lives or Dies
Evan Hill reviews Alexander Ward’s “The Internationalists: The Fight to Restore American Foreign Policy After Trump.”
Evan Hill reviews Alexander Ward’s “The Internationalists: The Fight to Restore American Foreign Policy After Trump.”
Colin Marshall reviews Jeremy Braddock’s “Firesign: The Electromagnetic History of Everything as Told on Nine Comedy Albums.”
Winnie Code considers Conner O’Malley and Danny Scharar’s “Rap World.”
Adedayo Agarau reviews Ajibola Tolase’s poetry collection “2000 Blacks.”
Eric Weiskott reviews Elizabeth Willis’s “Liontaming in America.”
Katherine Gibbel reviews Lindsey Webb’s “Plat.”
Sam Bodrojan considers Francis Ford Coppola’s “Megalopolis.”
Jonathan Conlin reviews Nile Green’s “Empire’s Son, Empire’s Orphan: The Fantastical Lives of Ikbal and Idries Shah.”
Lauren Markham considers personal and planetary grief, longing, and estrangement in her review of Laura Marris’s “The Age of Loneliness.”
Tom Zoellner considers Tim Z. Hernandez’s “They Call You Back: A Lost History, A Search, A Memoir,” about the book that helped solve mysteries associated with a 1948 plane crash.
Aurora Shimshak reviews Alison Thumel’s debut poetry collection, “Architect.”
Peter B. Kaufman reviews the 18th edition of “The Chicago Manual of Style.”
Peter Kazaras reviews Yuval Sharon’s “A New Philosophy of Opera.”
Tim Riley reviews Robert Hilburn’s “A Few Words In Defense of Our Country: The Biography of Randy Newman.”
Christopher Kondrich reviews Aditi Machado’s “Material Witness”
Christian Wessels reviews Forrest Gander’s “Mojave Ghost.”