Two Roads: A Review-in-Dialogue of Will Harris’s “Brother Poem” and Evie Shockley’s “Suddenly We”
Victoria Chang and Dean Rader review Will Harris’s “Brother Poem” and Evie Shockley’s “Suddenly We.”
Dean Rader has authored or co-authored eleven books, including Works & Days, winner of the 2010 T. S. Eliot Prize, Landscape Portrait Figure Form, a Barnes & Noble Review Best Book, and Self-Portrait as Wikipedia Entry, a finalist for the Oklahoma Book Award and the Northern California Book Award. Before the Borderless: Dialogues with the Art of Cy Twombly, is forthcoming in 2023 from Copper Canyon. His writing has been supported by fellowships from Princeton University, Harvard University, Headlands Center for the Arts, Art Omi, and the MacDowell Foundation. Rader is a professor at the University of San Francisco and a 2019 Guggenheim Fellow in poetry.
Victoria Chang and Dean Rader review Will Harris’s “Brother Poem” and Evie Shockley’s “Suddenly We.”
Victoria Chang and Dean Rader review Jenny Xie’s “The Rupture Tense” and Monica Youn’s “From From.”
Victoria Chang and Dean Rader consider “Best Barbarian,” a collection of poems by Roger Reeves.
Dean Rader and Jennifer Chang consider “The Trees Witness Everything” by Victoria Chang.
Victoria Chang and Dean Rader consider Amanda Moore’s “Requeening,” Paul Tran’s “All the Flowers Kneeling,” and Devon Walker-Figueroa’s “Philomath.”
Victoria Chang and Dean Rader consider “Dark Traffic” by Joan Naviyuk Kane.
Victoria Chang and Dean Rader consider “Such Color” by Tracy K. Smith and “The Glass Constellation” by Arthur Sze.
Victoria Chang and Dean Rader consider “Sho” by Douglas Kearney.