Why Does Mike the Millennial Meander?
Amy Silverberg on Mike Roberts's "Cannibals in Love."
Amy Silverberg on Mike Roberts's "Cannibals in Love."
Nandini Balial on Ha Jin's new novel.
Daniel Elkind appreciates the legacy of Russian explorer and naturalist Vladimir Arsenyev.
Sven Birkerts on Teju Cole's new essay collection, "Known and Strange Things."
Robert Minto sorts through the “The Shipwrecked Mind” by Mark Lilla.
Mark Lilla’s “The Shipwrecked Mind” examines what it means to be a political reactionary.
Emmett Rensin wrestles with the genre of “The Hostage’s Daughter” by Sulome Anderson.
Chris O’Leary reviews Simon Reynolds’s “Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century.”
Matthew L. M. Fletcher takes issue with Riley’s screed “The New Trail of Tears.”
Mike Harris reintroduces a three-generation saga novel of the American Left, “The Taking of the Waters” by John Shannon.
Michael C. Behrent interprets the bobo dream of multicultural France in “Rue Jean-Pierre Timbaud” by Géraldine Smith.
Jean-Thomas Tremblay on Ashon T. Crawley's "Blackpentecostal Breath."
Andrei Rogatchevski appreciates the cheerfulness of “Bliss Was It In Bohemia” by Michal Viewegh.
Patrick Modiano’s “The Black Notebook” is his latest to be translated into English.
Houman Barekat delves into “The Aesthetics of Degradation” by Adrian Nathan West.
Kevin McMahon takes the measure of “Jean Cocteau: A Life” by Claude Arnaud.