How Strange the Change: On David Hajdu’s History of American Pop Music
Dylan Hicks reviews David Hajdu’s “Love for Sale: Pop Music in America.”
Dylan Hicks reviews David Hajdu’s “Love for Sale: Pop Music in America.”
Richard Kluger’s account of the trial of John Peter Zenger, which paved the way for a free press in the United States.
Stephen Rohde discusses the possible elimination of the death penalty.
Twentieth-century fears of overpopulation are alive and well in “High-Rise,” J. G. Ballard’s classic science fiction novel and its 2016 film adaptation.
Bryan Rennie reassesses the legacy of Romanian novelist and religious philosopher Mircea Eliade.
What happens when a '90s archetype grows up? Hugh Ryan reads "Black Wave" by Michelle Tea to find out.
Karen Newman looks at "Hag-Seed," Margaret Atwood's reimagining of "The Tempest."
Caitlin Doyle considers “Dothead” by Amit Majmudar.
Kathleen Rooney on “Unbearable Splendor” by Sun Yung Shin.
Stephen Petrus appraises “The Lofts of SoHo” by Aaron Shkuda.
Grace Glueck on Annie Cohel-Solal's recent biography of Mark Rothko.
Kim Fay reviews “Darkness for the Bastards of Pizzofalcone” by Maurizio de Giovanni.
Are "fishes" misunderstood? Renée D’Aoust investigates …
Matthew Cheney reviews Samuel R. Delany’s “Dark Reflections.”
Can Kyle Arnold can figure out PKD in "The Divine Madness of Philip K. Dick"?
Hernandez’s collection defies categorization, bringing together elements of Latina/o and science fiction writing in a mashup of science, magic, and belief.