The Miraculous Bonds and Secrets of “Motherhood”
“Motherhood” offers readers, and women in particular, ingenious ways to reconceive themselves.
“Motherhood” offers readers, and women in particular, ingenious ways to reconceive themselves.
Elena Conis considers “Whitewash: The Story of a Weed Killer, Cancer, and the Corruption of Science” by Carey Gillam.
Declan Ryan reviews “Coming in to Land: Selected Poems 1975-2015” by Andrew Motion and “A Scattering and Anniversary” by Christopher Reid.
Carlos Ulises Decena finds a welcome, nuanced portrait of queer history in Julio Capó Jr.’s “Welcome to Fairyland: Queer Miami before 1940.”
If you still haven’t tried Knausgaard or have been unsatisfied with his helplessly casual "New York Times" travel essays, try "Spring."
Eric Gudas makes the case for “The Mountain Lion,” a classic novel of childhood by Jean Stafford.
Muriel Rukeyser's "The Book of the Dead" is a story about race. It’s about industry. It’s about being held accountable and the right to a safe workplace.
Ariel Dorfman returns to fiction with a fact-based story that puts the reader on guard immediately.
On race and "So Much Blue."
Lydia Roberts praises “Intellectual Life and Literature at Solovki 1923-1930: The Paris of the Northern Concentration Camps” by Andrea Gullotta.
In “Black Swans,” Eve Babitz probes the causes and consequences of why the ’60s and ’70s were so debauched.
Change the political genre, fight for something new, Acker’s work urges us, because conventional politics in the post-factual age is failing to evolve.
Taylor Larsen finds the work of Sam Pink unique and true.
Jennifer Croft finds Rachel Kushner’s “The Mars Room” a brilliant work of unique rigor.
Thompson-Spires’s satire, oriented around questions of blackness, joins a particular tradition of African-American sardonic absurdism.
Ellen Wayland-Smith follows the narrative weave of Leslie Jamison’s memoir, “The Recovering.”