Cosplay and Clotted Cream: The Lasting Appeal of Jane Austen
A tour through the fannish wonders of Austenworld.
A tour through the fannish wonders of Austenworld.
Shivani Radakrishnan reviews by “To Shape a New World,” a collection of essays edited by Tommie Shelby and Brandon Terry.
"MacArthur Park," Andrew Durbin’s debut fiction, exploits the novel’s capacity to connect and bridge without necessarily establishing complete contact.
Henry Fountain’s scientific interests are wide-ranging and resolutely anchored in the human.
In "The Poet X," a teenage Dominican girl in Harlem discovers herself through slam poetry.
On “Signal Loss” and the works of Garry Disher.
On "Feast: True Love in and out of the Kitchen," Hannah Howard’s book about coming of age in the New York food scene with an eating disorder.
Désirée Zamorano reviews “These Violent Delights” by Victoria Namkung.
Jessica Gross marks the margins of Sloane Crosley's "Look Alive Out There."
Robinson's ideas are beautiful, but are they always persuasive? Nicholas Cannariato on "What Are We Doing Here?"
Sarah M. Chen reviews “If I Die Tonight” by Alison Gaylin.
The platform confuses capital-flow and social form, rearranging the relationship of profit to community and intelligence to organization.
Orly Minazad speaks to newly LA-based Egyptian comedian Bassem Youssef, author of “Revolution for Dummies: Laughing Through the Arab Spring.”
A pair of new books challenge conventional assumptions about sex and Christianity.
Robert Zaretsky appreciates “History: Why it Matters,” a rallying cry for the discipline by Lynn Hunt.
“'Time Pieces' comes across as a vexingly undecided little book.” Sven Birkerts on John Banville's Dublin memoir.