The Ashtray Has Landed: The Case of Morris v. Kuhn
Much of "The Ashtray" is witty, ebullient, and generous. Errol Morris shares his wide range of interests, and his enthusiasm for philosophy is infectious.
Much of "The Ashtray" is witty, ebullient, and generous. Errol Morris shares his wide range of interests, and his enthusiasm for philosophy is infectious.
On “Miamification” by Armen Avanessian, which tries to imagine a "progressive politics equidistant from technological utopianism and technophobia.”
Does existentialism still deserve our attention? On "The Existentialist’s Survival Guide: How to Live Authentically in an Inauthentic Age."
Robert Allen Papinchak finds William Trevor’s posthumous collection “Last Stories” impeccable.
Eileen Battersby finds many riches in “The Beggar and Other Stories” by Gaito Gazdanov, translated from the Russian by Bryan Karetnyk.
Frans de Waal considers three new books about whether humans are exceptional.
Mark Ellis reviews Michael Sfard's "The Wall and the Gate: Israel, Palestine, and the Legal Battle for Human."
On the cynical libertarianism of our high-tech Horatio Algers.
How young backpackers remade the social landscape of postwar Europe.
“The Feather Thief” reminded me of that long list of TV shows about male sub-cultures with their own sub-ethics, from “The Sopranos” through “Breaking Bad.”
What does it mean to make nonhuman nature the “overstory”? Can trees carry a novel's narrative, which usually relies on human characters and conflicts?
Jacquelyn Ardam on the ecstasy of detritus in Tommy Pico’s “Junk.”
How does Robert Wuthnow's "The Left Behind: Decline and Rage in Rural America" differ from other examples of the post-2016 "Reaching-Out Industry"?
Bradley Babendir reviews Rebekah Frumkin’s “The Comedown,” a novel full of dramatic irony and striking dissonance.
Nils Gilman offers a penetrating analysis of “Not Enough: Human Rights in an Unequal World” by Samuel Moyn.
Katharine Coldiron finds Rita Bullwinkel’s debut story collection skillful but distant.