Am I Not Now at Peace? On Chris Bachelder and Jennifer Habel’s “Dayswork”
Alice Kelly reviews Chris Bachelder and Jennifer Habel’s “Dayswork.”
Alice Kelly reviews Chris Bachelder and Jennifer Habel’s “Dayswork.”
Dorie Chevlen presents a LARB Quarterly essay so relatable that Everybody.World made it a T-shirt.
For Jack Skelley, Kathy Acker was a writer who both masterfully baited and masturbated, occasionally at the same time.
Kate Wolf and Medaya Ocher speak with the writer and editor Blake Butler about his latest book, a memoir called “Molly.”
Timothy S. Miller reviews Brian Attebery’s “Fantasy: How It Works.”
Edmée Lepercq reviews French author Clara Schulmann’s newly translated book-length essay “Chicanes."
Claire Lewandowski joined a hotel worker union action and learned how to disarm the opposition with some costumes and a whole lot of singing.
Brandon Tensley revisits “Sister Act 2: Back in the Habit” as an underrated entry in the hood drama genre.
Whether on mushrooms or not, the only all-bouffon clown troupe in Los Angeles makes fools of us all—just in time for the holidays.
Adolf Alzuphar reviews “Antoine of Gommiers” by Haitian author Lyonel Trouillot.
Rose Higham-Stainton reviews Robert Glück’s “About Ed.”
Madeleine Connors attends a Jenny Lewis concert at the Hollywood Palladium and finds her just as lovable the second time around.
Peter B. Kaufman reviews Carlos Eire’s “They Flew: A History of the Impossible.”
Sarrah Wolfe attends a Devendra Banhart concert and finds that, sometimes, the charming musician can be exactly as charming as he seems.
Lori Gallegos outlines the contributions Latinx philosophers have made to the ethics of immigration.