Sidewalk Geometry
Marie Catalano considers how sometimes all the artist has to do is see the art that’s always already there.
Marie Catalano considers how sometimes all the artist has to do is see the art that’s always already there.
LARB presents an excerpt of Lauren Markham’s new book “A Map of Future Ruins: On Borders and Belonging.”
Katie Berta reviews Gregory Pardlo’s “Spectral Evidence.”
Come for the Gen-X indie film legend, stay for the 245-piece disposable Jack Sparrow tableware set.
Grace Byron reviews Anna Kornbluh’s “Immediacy: Or, The Style of Too Late Capitalism.”
Christina Fogarasi reviews Anna Kornbluh’s “Immediacy: Or, the Style of Too Late Capitalism.”
Meet me at the coastal indie sleaze–themed comedy show/birthday warehouse party in Downtown Los Angeles?
Laurent Dubois reviews two new books on Haiti’s past and present: Marlene L. Daut’s “Awakening the Ashes: An Intellectual History” and Jake Johnston’s “Aid State: Elite Panic, Disaster Capitalism, and the Battle to Control Haiti.”
Melissa Chan reviews “Zodiac” by Ai Weiwei.
1:1 invites writers to reflect on a single work of art with focus, care, and imagination to expand how we view, receive, and write about art.
Philippa Snow examines the anti-heroism offered by Bravo’s reality show “Vanderpump Rules.”
Helen Hester reviews Elizabeth Anderson’s “Hijacked: How Neoliberalism Turned the Work Ethic Against Workers and How Workers Can Take It Back.”
Three educators find inspiration for fighting automation in the classroom in Brian Merchant’s “Blood in the Machine: The Origins of the Rebellion Against Big Tech.”
Michaela Cavanagh reviews C Pam Zhang’s “Land of Milk and Honey.”
Spring break came early for these singing, dancing, and jamming elders. Someone get the grandmas under control!
Eliana Rozinov revisits Jane Campion's “A Girl’s Own Story” and “The Piano” on the 30th anniversary of the latter film.