Electric Fences and Intersectionality: Michael Perry’s Montaigne in Barn Boots
Gretchen Lida reviews Michael Perry's collection, "Montaigne in Barn Boots: An Amateur Ambles Through Philosophy."
Gretchen Lida reviews Michael Perry's collection, "Montaigne in Barn Boots: An Amateur Ambles Through Philosophy."
Jonathan Alexander on the frisson and fantasy of love and sex across the generational divide in the TV shows “Younger” and “Cucumber.”
Jordan Cronk talks with Thom Andersen about his new collection, "Slow Writing: Thom Andersen on Cinema."
Motels are a national neighborhood and a para-culture that is, for some people, the only place they live.
Legendary editor John Freeman, of Granta fame, discusses the fourth edition of his journal "Freeman's: The Future of New Writing."
Andy Fitch interviews scholar of justice and citizenship Danielle Allen about her book "Why Plato Wrote."
Renee Hudson appraises William Demby’s experimental novel “King Comus” in the context of black speculative fiction and the neo-slave narrative.
Amanda Fletcher grapples with Carolyn Murnick’s “The Hot One,” a memoir of friendship, murder, and Hollywood.
Knight Landesman’s fall from art world grace has shaken me to the core: I am a slightly different person today than I was on October 24, 2017.
Eileen Murphy reviews and recommends "Enter Here" by Alexis Rhone Fancher.
Erik McIntosh on the need for more LGBTQ characters on children's television.
Bernardita García interviews Juan Pablo Meneses about his “cash journalism” trilogy.
Janice Rhoshalle Littlejohn interviews poet, artist, and educator Imani Tolliver about “Runaway: A Memoir in Verse” and life in Los Angeles.
Loree L. Westron reflects on “Fox Season: and Other Short Stories” by Agnieszka Dale.
Professor Michelle Téllez reflects on how U.S. immigration policy keeps families apart.