“Danger Blue”: Dana Goodyear Interviews Carol Muske-Dukes
Dana Goodyear talks to poet Carol Muske-Dukes about her new collection, the slipping mask of poetry, and the first poet laureate of California.
Dana Goodyear talks to poet Carol Muske-Dukes about her new collection, the slipping mask of poetry, and the first poet laureate of California.
A newly translated compendium of Machado de Assis’s short fiction proves him to be an undisputed master of the form.
The final installment of Kristina Marie Darling's essay series, "Billed into Silence."
On the seriousness of play and the weirdness of “The Nutcracker.”
Alex Niven reviews Tom Pickard’s “Fiends Fell.”
Bruno Latour elaborates upon Gaia, a political biological theory concerning the Earth by James Lovelock.
New York's Book Culture is part of LARB's Reckless Reader program.
Joanna Walsh’s latest work of autofiction uses the ghosts of the immediate past to examine the long game of life.
What linguistic anthropology tells us about the appeal of Trump's lies.
“An essay is a venture, an attempt. It proposes not the Q.E.D. of arrival but ongoingness, forward motion.” Sven Birkerts on “The Art of the Wasted Day."
Robert Wood considers the role of the "Cordite Poetry Review" in the Australian poetry community.
How did the 19th-century Catholic Church, in all its anti-modern grandeur and opulence, beget the 21st-century Church we see today?
Hugh Ryan talks to Lance Richardson about his new biography, "House of Nutter: The Rebel Tailor of Savile Row."
German President Frank-Walter Steinmeier's speech, delivered at the Getty Center, about the legacy of Thomas Mann and the state of democracy today.
Nicholas Utzig reviews “The Flying Tigers,” a historical work by Sam Kleiner.