Name One Genius That Ain’t Crazy: Kanye West Has Nothing to Say
Max Suechting reviews Kanye West's "ye" and West's collaboration with Kid Cudi, "Kids See Ghosts."
Max Suechting reviews Kanye West's "ye" and West's collaboration with Kid Cudi, "Kids See Ghosts."
Brian Evenson interviews author Paul Tremblay.
The psychology that pushes us to make pictures, a psychology that Susan Sontag laid bare in 1977, seems to have reached new levels of pathology in 2018.
As Instagram becomes more and more prominent as a form of aspirational self-advertising, we must take seriously its images as cultural objects.
Kaya Genç on the Turkish ban of Philip Roth's 1969 novel "Portnoy's Complaint."
On crime as industry in the works of Malcolm Mackay.
Author Rebecca Makkai discusses her heralded new novel, "The Great Believers."
Joshua Glick's "Los Angeles Documentary" is an encouragement to engage, now, with documentaries being made at the grassroots level by activist filmmakers.
"The Beneficiary" is not invested simply in exposing liberal American hypocrisy. Instead this is a study of the uneasy place we live intellectually.
An open letter from Jewish writers expressing "zero-tolerance for the U.S. government’s disregard for human rights and barbaric treatment of immigrants."
Andy Fitch interviews Steven Levitsky, co-author of "How Democracies Die" with Daniel Ziblatt.
Eric Gade reviews “Surveillance Valley,” about military funding and surveillance use in the early years of the internet.
Lynne Sharon Schwartz praises “For Single Mothers Working as Train Conductors,” a collection of personal essays by Laura Esther Wolfson.
Howard Rodman on the origins of the phrase “career of evil,” with stops at Patti Smith and the Blue Öyster Cult.
A rock star of the 1968 student protests in Paris sees a similar movement emerging, 50 years later.
Matthew Lax considers the "What if Utopia"-themed Queer Biennial currently on display across Los Angeles for Pride month.