The Lone and Level Sands
A lively history of an underappreciated resource.
A lively history of an underappreciated resource.
Bracher’s slim, dense novel lingers in the eddies of personal memory and historical reckoning.
Fairfax Avenue's culture has transformed from a Jewish enclave to a hypebeast's dream, and maybe that's okay.
"Are you suggesting that Jesus was gay?" "That’s an anachronistic question. The safest thing to say is that he was anything but straight."
Louise Steinman goes in search of artist Robert Smithson’s “Spiral Jetty.”
Geoff Nicholson exposes himself to “Flash: The Making of Weegee the Famous” by Christopher Bonanos.
Carolina A. Miranda, Jonathan Gold’s colleague at the LA Times, eulogized him by making a kind of collage poem with sentences pulled from his writing:
Yosefa Raz interviews David Brazil about his poetry collection "Holy Ghost."
Richard H. Armstrong journeys through Emily Wilson’s new translation of Homer’s “Odyssey.”
Tausif Noor reviews Ottessa Moshfegh’s new novel of monotony, addiction, and loss, “My Year of Rest and Relaxation.”
Brinkley offers visions of manhood and masculinity with a humane imagination for what characters miss, what they mean to say, what they might have done.
Colin Marshall on Jonathan Gold's appreciation for Korean food and Los Angeles's Koreatown.
Laurie Winer remembers long lunches with Jonathan Gold.
Nandini Balial reviews new short story collections from Nick White and Lydia Millet.
Dan Lopez on the central concern of Rebecca Makkai’s “The Great Believers,” arguing for the urgency of the history for those marginalized in their time.
Caroline Eden relishes the food writing of Lesley Blanch, author of the recently republished “Journey into the Mind’s Eye.”