steinman

<div class="at-above-post-homepage addthis_tool" data-url="https://blog.lareviewofbooks.org/events/resister-sanctuary-wont-go/"></div>In one glass case, what first draws my eye is a REMEMBER JOE MAIZLISH bumper sticker identical to the one I affixed to the bumper of my dad’s Ford Mustang in 1968. Yes, I do remember Joe Maizlish. Decades ago, I wrote to him in while he was in federal prison, where he served two and a half years of a three- sentence for refusing induction to the draft. Joe, now a psychologist and mediator, in present-day, is my neighbor in Silverlake.
The item, along with posters in fonts of various degrees of psychedelia, is on exhibit at WE WON’T GO: The L.A. Resistance, Vietnam and the Draft (at the Central Library’s Getty Gallery until August 19). Curated by Winter Karen Dellenbach, an L.A. Resister, together with Ani Boyadjian, Research &amp; Special Collections Manager for the Los Angeles Public Library, this inspiring display of civil disobedience was drawn from the Los Angeles Resistance Archives, acquired by the library in 2014. The collection includes letters, posters still and moving images, diaries, mimeographed newsletters, draft cards and other ephemera donated by members of the L.A. Resistance and their supporters. Essentially, this is a chronicle of the non-violent anti-draft activities of the L.A. chapter of the Resistance, a nationwide movement.
I recognize a black and white photo of General Hershey Bar, with his signature plastic B-52’s worn as medals. The real General Hershey, a Nixon advisor, was head of the Selective Service, and General Hershey Bar was a familiar sight at anti-war rallies in the &#8217;60s. “Fixin-to-Die Rag” (Country Joe and the Fish) cues in my head:
“Well, come on all of you big strong men 
Uncle Sam needs your help again 
Got himself in a terrible jam 
Way down yonder in Vietnam 
Put down your books and pick up a gun 
We&#8217;re going to have a whole lot of fun”
 But what sends my memory into overdrive is RESISTER IN SANCTUARY, in bold black letters across a legal size flyer. It’s a manifesto written by Gregory Nelson, then nineteen years old and briefly my high school sweetheart. Greg had openly refused to register a year earlier, as required by law, when he turned eighteen. In the fall of 1968, he asked the minister and congregation of Grace Episcopal Church in South Los Angeles to grant him sanctuary, a medieval tradition, for an act of conscience. His language is simple and direct:
This is a period of deep disunity in our country.
One source of that disunity is the war in Vietnam. I have refused to participate in that war—even to the degree of refusing to register for the draft. Now I am charged with a crime for that refusal. I feel that my refusal is an action consistent with the moral precepts and teachings of my society, an action directed toward ending the present war and healing the wounds of discord. I ask you, a visible guardian of our moral teachings and a main source of guidance to the people of our society, to consider my plea… 
I was a junior in high school when I met Greg spring of 1968, through my volunteer work for the Resistance. I’d trade my pastel shirtwaist school uniform and saddle shoes for jeans, denim work shirt, jeans and sandals — then hurry down to the Resistance office in the red brick colonial on Westwood Blvd. There were a few other high-schoolers, but most of the supporters working there were college-aged. They impressed me as energized, purposeful and very cool. Lives were on the line.
I’d join them in stuffing envelopes, or we’d pile into someone’s VW bug and head off to a local draft board with a pile of leaflets, trying to interest those young men who’d arrived for a draft physical in alternative actions, draft counseling. It was my first taste of communal activism and I cherished the palpable sense of “family” among those who planned to take a stand of conscience and those who supported them.
Many Resisters were galvanized after hearing David Harris, the charismatic anti-draft activist and former Stanford student body president (then married to Joan Baez), speak about non-violent non-participation as a way to end the Vietnam War. I’d heard Harris at the Stanford campus, the summer I attended Junior Statesman Summer School there. His was a voice of persuasive moral passion, drawing from the ideas of Thoreau, Gandhi, and King, and Mario Savio. Harris called for young men to resist the draft openly and be willing to take the consequences, that &#8220;The way to do is to be.&#8221;
I hung out with Greg early that summer of 1968. It was the summer after the assassination of MLK in April at the Lorraine Motel in Memphis. It was the summer after the assassination of RFK in L.A at the Ambassador Hotel in June the night of the California Primary. It was the summer before Nixon was elected president. The casualty count in Vietnam was rising and the government’s need for more bodies to feed the “Buzz Saw of War,” to use my dad’s phrase from WW2 — seemed insatiable.
It was also a summer for young lovers to lie entwined under an Indian-print bedspread in a darkened studio apartment near the Venice Boardwalk, to listen to Lucy in the Sky with Diamonds twelve times and not care that the needle was sticking; to make midnight runs to Tomy’s Burgers on Ramparts; to dance wildly to the Jefferson Airplane at the Cheetah nightclub on the Pacific Ocean Park pier.
… Since I cannot turn to the courts for justice, I turn to the church. I ask you to lend your church for a role that churches once played. I ask you to grant me sanctuary. 
Nelson’s plea was granted by Grace Episcopal Church on W. 78th Street in South Los Angeles. On the day Nelson and his supporters gathered in the church, one of the Episcopal priests, Reverend Harlan Weitzel, was joined to Greg with a length of chain. In my journal from that day, October 2, 1968, I noted that it was Yom Kippur, that the bitter taste in my mouth was less from fasting than from fear and distress.
 Resistance founder David Harris was there to speak, to support Greg, and to lift our spirits. Greg said, ‘you sure rap well, Dave, who then yelled amen! Amen! And urged us all to sing’ Two young men burned their draft cards that day, I remember the packed crowd of supporters — including many of those whose papers are now in the archives at LAPL. I didn’t remember, until I read the notes to the exhibition, that Michelangelo Antonioni, the Italian film director, was in attendance that day as well, which made some kind of surreal sense. Oh, of course he was.
¤
In a letter to Joe Maizlish in prison, I described feeling hysterical when I learned what Greg was going to do, and how another, older Resister, helped to calm me. “I stood next to Greg’s mother in front of the church,” I wrote Joe. “… we were passing out flowers. The church was surrounded by federal marshals and police and Greg’s mother wondered aloud, ‘Why all these men for my one small boy who hasn’t even a comb in his pocket?’”
No one who was there will ever forget the approach of the U.S. marshals with their ridiculously over-sized bolt cutters, how they hesitated before approaching the dais, stepping over and even on bodies — to where the slight long-haired young man was chained to his friends and supporters. “I saw Greg, his bright eyes stare the marshal in the face and he said, I will go don’t hurt anybody please. And they still dragged him. They cut the chains and took Greg away and crammed him into a waiting car.”
On a video clip playing on the wall of the Getty Gallery, a grey-bearded Greg Nelson — 50 years later — recalls how the chains were actually so loose he could have slipped out of them; that the church had been locked that day and he’d had to sneak in, in order to get arrested — a fact the uniformed Marshals found amusing.
“Each draft card turn-in was performance art, each refusal to register a brazen repudiation of coercion,” wrote Winter Dellenbach. “It was so much fun, and it was deadly serious, and it had deep consequences.”
The scene in the sanctuary though, was not child’s play, not performance art, it was high drama: the chains; the supporters singing under the cross; the representatives of the State with their weapons; the violated sanctuary; the palpable communal determination to resist.
Greg’s trial was on Friday, Oct 4th, at the downtown Federal Courthouse. When I arrived, I was surprised to see so many reporters. I assumed they were there for Greg. In fact they were covering the more sensational hearing for Sirhan Sirhan, who’d fired the shots that killed Robert Kennedy.
Greg represented himself at trial. “All the prosecutor had to do was to prove Greg was 18,” I wrote to Joe Maizlish at Safford Prison:
“…That he hadn’t registered. That he lived at 1018 Pacific St. in Santa Monica. Greg didn’t present a defense, but he cross-examined the witnesses:
-His high school vice-principal who testified Greg had indeed gone to Santa Monica High. Greg started lacing into him for making him salute the flag. (Later the judge said he couldn’t blame anyone for getting a chance to get back at their high school Vice Principal. )
-His father, to testify he’d been born.
-The draft board lady — to testify she had not received his registration. (Might you have lost it? asked Greg.)
-The FBI agent who had warned Greg of the consequences of his action a year ago.
The prosecutor was moved by Greg’s muteness on his defense. So was the judge. Greg made one statement — which the judge allowed — on the draft and the selective service system. Quite a natural, down-to-earth speech. And that was it. He was sentenced the same day and when led away said ‘I’ll say hello to Joe for you all.’”
¤
In conjunction with the exhibit, the library hosted a panel discussion on July 19th with three Los Angeles resisters — Geoff Fishman, Paul Barnes Lake, and Joe Maizlish. All served time in prison. Historian Jon Wiener, host of The Nation podcast, was the interlocutor.
Wiener asked them each why they’d chosen to refuse the draft, what they experienced in prison, how it impacted the trajectory of their lives. How did they make their initial decision to resist?
Geoff Fishman described how, when he was already at the induction center , waiting to be “processed” for the draft, there came a “moment of truth”:
“When all were asked to acknowledge allegiance and acceptance into the army, to step forward to accept, I surprised myself. Everyone stepped forward except me.”
Joe Maizlish’s decision came in stages, the first revelation in 1965: “I was crossing a street in Berkeley with my brother. We looked at each other and said, ‘There’s no way we’re ever going to be in this war.” Three years later, he became “completely unable” to send in the form to renew his UCLA graduate student deferment, that “political free ticket,” as Dave Harris termed it, knowing others would be drafted to serve in his stead. “It wasn’t an actual decision,” he said, “it was my whole being — I can’t do this.”
As it was for Joe 50 years ago, our whole beings tell us that children shouldn’t be separated from parents, our whole beings tell us that asylum seekers should not be sent back to their deaths, that torture is wrong, that the earth itself is worth saving and fighting for.
In these treacherous times of eroding civil liberties and rising authoritarianism, the L.A. Resistance Archive can serve as blueprint to help guide and inspire us. Exhibition co-curator Ani Boyadjian aptly summed up the enduring value of the collection: “It&#8217;s the intensity and passion of doing the right thing and it is a thing of beauty.”
So thank you, Greg Nelson and Joe Maizlish and Paul Barnes Lake and Geoff Fishman and all the other Resisters who were willing to give up so much to take a stand against America’s immoral war in Vietnam. And, thanks to the Los Angeles Public Library, for preserving these stories for future generations — who will face such difficult decisions of their own.
&nbsp;
<h6>Images: Right: Joe Maizlish at Induction Refusal, 1968, Black and white photograph. L.A. Resistance Collection, Los Angeles Public Library; Left: Peace &amp; Love: Resist the Draft, Undated, Leaflet, Printing Ink on Paper, Los Angeles Resistance Collection, Los Angeles Public Library</h6>
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Resister in Sanctuary: We Won&#8217;t Go

maciej-ziembinski

tomasz-cebulski

img_3698

<div class="at-above-post-homepage addthis_tool" data-url="https://blog.lareviewofbooks.org/essays/elegantly-wrapped-dung/"></div>&nbsp;
<figure id="attachment_2297" aria-describedby="caption-attachment-2297" style="width: 1280px" class="wp-caption alignnone"><a href="http://blog.lareviewofbooks.org/wp-content/uploads/2016/10/Tomasz-Cebulski.jpeg"><img loading="lazy" class="size-full wp-image-2297" src="http://blog.lareviewofbooks.org/wp-content/uploads/2016/10/Tomasz-Cebulski.jpeg" alt="Maciej Ziembinski and Louise Steinman. Photo by Tomasz Cebulski." width="1280" height="807" srcset="https://blog.lareviewofbooks.org/wp-content/uploads/2016/10/Tomasz-Cebulski.jpeg 1280w, https://blog.lareviewofbooks.org/wp-content/uploads/2016/10/Tomasz-Cebulski-300x189.jpeg 300w, https://blog.lareviewofbooks.org/wp-content/uploads/2016/10/Tomasz-Cebulski-768x484.jpeg 768w, https://blog.lareviewofbooks.org/wp-content/uploads/2016/10/Tomasz-Cebulski-1024x646.jpeg 1024w" sizes="(max-width: 1280px) 100vw, 1280px" /></a><figcaption id="caption-attachment-2297" class="wp-caption-text">Maciej Ziembinski and Louise Steinman. Photo by Tomasz Cebulski.</figcaption></figure>
A few weeks ago, I received an email message from one Ronan Ó Fathaigh, a researcher from the University of Amsterdam. This euphoniously named gentleman wrote to tactfully inquire if the late Maciej Ziembinski, whom I’d written about on my Crooked Mirror blog, had been the plaintiff in a case he was writing up for the European Court for Human Rights: ZIEMBIŃSKI v. Poland (No. 2).
Yes! I wrote back; one and the same! <a href="https://blog.lareviewofbooks.org/essays/elegantly-wrapped-dung/#more-2295" class="more-link">Read more</a>
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Elegantly Wrapped Dung: or, A Polish Journalist’s Posthumous Victory

Unknown

<div class="at-above-post-homepage addthis_tool" data-url="https://blog.lareviewofbooks.org/larb-main-site/english-teacher-memoriam-lorraine-schulmeister-1918-2012/"></div>An autumn afternoon on the sunny Great Lawn at Westlake School for Girls. Lorraine Schulmeister, English teacher, and I read aloud from Emily Dickinson: I dared not meet the Daffodils &#8212; For fear their Yellow Gown Would pierce me with a fashion So foreign to my own –; we read aloud from Blake: If I worship one thing more than another it shall be the/ spread of my own body, or any part of it.. It’s 1967. I’m in the tenth grade, my first year as a scholarship student at this exclusive school tucked into Beverly Glen canyon north of Sunset Blvd. It sounds idyllic – it was.
I picture her pacing in front of the blackboard: high Nordic cheekbones flushed, excited hands mid-gesture. Like the poet Theodore Roethke, her own mentor, she had mastered the art of appearing to see the work for the first time. She introduced us to the poetry of Muriel Rukeyser, Ted Berrigan, Robert Lowell, Denise Levertov – to the possibilities of writer-as-activist. It was a stance with immediate resonance as the Vietnam War raged abroad and protests raged at home.
After school, I’d trade pastel shirtwaist uniform for torn blue jeans and sandals and hike down to the Resistance office in Westwood Village to pick up leaflets to hand out at draft boards. My high school boyfriend, almost 18, refused to register. Instead, he chained himself to the altar of a church in Watts. U.S. Marshals obligingly hauled him away to court, from there to federal prison.
Lorraine taught at Marlborough School (our cross-town rival) before teaching at Westlake, but resigned when the administration there questioned her “Americanism.” There’d been complaints from parents: when she taught Whitman, she actually spoke about “sex” in the classroom.
In her eloquent resignation letter, dated February 29, 1964, she wrote: “I have presented American Literature as a great and living force, as a body of work that is loving and critical at one and the same time. Like Frost, most writers have had a ’lover’s quarrel with the world.’ Literature is most of all concerned with life; sex is an important part of life. I presented Walt Whitman as I have always presented him: as poet of the body as of the soul; as the great revolutionary and innovator that he was.”
She was born Lorraine Breckheimer in 1918, in Mankato, Minnesota. It was the year the Great War ended, as she noted in The Making of a Teacher or The Last of the School Ma’ams, her astute self-published chapbook. Mankato was a small town “far from the currents of the world.” No movie theaters. No television. A quiet, peaceful life—walks, berry-picking, window-shopping, band concerts, school plays, church. A trip to the library was an adventure. “No one we knew had had a divorce. Only teachers traveled to far off places.&#8221;
In the crash of 1929, her family fell “from the middle class to no class.” Her father’s farm implement business failed, he lost everything. The family moved to a dairy farm in northern Minnesota classified as “suitable only for subsistence living.” Living in this rural isolation, from age 11 to 17, Lorraine turned inward, books were her companions.
She received a full scholarship to Carleton College, but had no money for room and board. Disappointed, she opted for a state teachers college closer to home. An advisor discouraged her from seeking a PhD to teach at the college level. He told her she’d just be asked to teach remedial courses, not literature. “I recognize the truth of Karl Marx’s economic interpretation of history,” she wrote. “Economics has ruled my life.”
Her career included a stint teaching elementary school in a rural two-room school, where she was successful, for the most part, in awakening her students to the importance of reading and the pleasure of literary study. “Only one parent objected to my reading list. The offensive book was Steinbeck’s Cannery Row”. During World War II she served as a WAC at an air base in Ogden, Utah, and, courtesy of the GI Bill, studied American Literature at the University of Washington with Theodore Roethke.
Lorraine and I re-discovered each other in 2001 and remained fast friends until she died this past spring, at age 94. At least twice a year, I’d drive up to San Luis Obispo from L.A. We’d go out for dinner, a glass or two of good wine. She always brought a list of things to discuss; wanting to make good use of our precious time together.
Her home for the last decades was a small studio apartment in an assisted living facility. A painful and economically disastrous divorce (she kept his surname, Schulmeister, which described her chosen profession) in her early fifties severed her from her teaching career. She’d wanted but had no children, though a number of former students stayed in close touch. We were, she said, “the daughters she never had.” She worried about outliving her modest savings, and she almost did.
We stayed in touch by writing letters. Envelopes in Lorraine’s clear cursive arrived at least twice a month, and I wrote back almost as often. We sent each other books. Who else would gift me Henri Troyat’s massive biography of Tolstoy for my birthday? (As good as she said it was, all 800 pages.) She insisted I read President Obama’s memoir; she admired him, worried about him. She loved Hazel Rowley’s bio of Sartre and De Beauvoir and marveled at Yiyun Li’s short stories. Her responses to Manning Marable’s biography of Malcolm X, Susan Jacoby’s An Age of Unreason, Joseph O’Neill’s Netherland (she read it twice) fill pages handwritten front and back. She re-read the classics — Willa Cather’s Death Comes for the Archbishop and Ralph Ellison’s Invisible Man. Her unequivocal vote for greatest American novel was Moby Dick (she loved it more after each of her eight readings).
Of all the books I sent, her favorite was Adam Hochschild’s To End All Wars. She considered his skillful narrative of those advocating for peace amidst the carnage of World War I to be one of the most significant history books ever written.
I wrote to her about my own writing life, my own struggles and joys. She reminded me of my great good fortune to live in a creative community, to meet great writers, to travel, to observe. She adored my husband.
Among the many books I treasured receiving from Lorraine was Robert D. Richardson’s study of Emerson and the creative process (First We Read, Then We Write). Last year I made a pilgrimage to Concord, Mass to swam in Walden Pond, place pencils on Thoreau’s grave in Sleepy Hollow Cemetery, and visit Emerson’s home. I sent Lorraine a postcard&#8211; an image of Emerson’s study&#8211; featuring the round oak table where the master read and wrote every day. Emerson’s belief that creative reading was essential to creative writing was one that Lorraine instilled in all her students. She concurred with Emerson’s dictum, “While you are reading, you are the book’s book.”
Reading kept her mind young even as her body failed her. Historian Tony Judt’s final book, Thinking the Twentieth Century, thrilled her and she zeroed in on his chapter about American nationalism. “In a global world,” she wrote me, “we are so provincial. Witness our current politics. We are anti-intellectual as a people. More so than others.”
This she found as true in 2012 as when she had resigned from Marlborough nearly fifty years earlier. She ended her resignation letter with a ringing admonition:
“Everyone should read President Kennedy’s speech at Harvard, dedicated to Robert Frost, published in the February issue of The Atlantic Monthly called ‘Power and Poetry.’ He expresses better than I the challenge America faces: Can we have poetry and power? Athens did for a brief moment in history. It seems unfair that I should have been asked to remain at home so that a student could attend class without contamination from an accused teacher; why should the teacher be more expendable than the student? I do not at this point know the real charge against me, but I do recognize the forces that are greater than myself. I represent poetry; they represent power.”
On the day Lorraine died, one of her former students, Judy Munzig, was able to spend several hours sitting at her bedside stroking her hand, telling her how much we all loved her. Lorraine’s eyes were closed, but she could still hear.
Judy wrote afterwards: “Her reading glasses were on her nightstand on top of a paperback of Iris Murdoch’s The Bell with a bookmark from Chaucer’s Bookstore. A young man who works at the hospice said that Lorraine had been reading passages aloud to him and when he told her he didn’t understand it, she would explain it to him.    ‘Now I’ll have to read it myself,’ he said.”
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My English Teacher: In Memoriam Lorraine Schulmeister (1918-2012)

<h4>Louise Steinman is a writer, artist, and independent literary curator. She was the founder and long-time curator of the&nbsp;<a href="http://lfla.org/calendar/">ALOUD series</a>&nbsp;for the Library Foundation of Los Angeles. She is Co-director of the Los Angeles Institute for Humanities at USC and the author of three books, most recently The Crooked Mirror: A Memoir of Polish-Jewish Reconciliation. She blogs at&nbsp;<a href="https://lareviewofbooks.org/contributor/louise-steinman/www.crookedmirror.wordpress.com">www.crookedmirror.wordpress.com</a></h4>

Louise Steinman

Laurie Winer is a Los Angeles Review of Books founding editor.

Laurie Winer

A Day in Radomsko

"For a long time now I haven't been I."
— Fernando Pessoa, The Book of Disquiet

Around the World

"The older one grows, the more one likes indecency." — Virginia Woolf

Memoir &amp; Essay

"Hegel was right when he said that we learn from history that man can never learn anything from history." — George Bernard Shaw

History

<h4>Piotr Florczyk is a poet, essayist, and translator of several volumes of Polish poetry, including The Day He’s Gone: Poems 1990-2013 by Paweł Marcinkiewicz (Spuyten Duyvil, 2014), The World Shared: Poems by Dariusz Sośnicki (co-translated with Boris Dralyuk; BOA Editions, 2014), and Building the Barricade by Anna Świrszczyńska (Tavern Books, 2016). He is the author of East &amp; West: Poems (Lost Horse Press, 2016), a collection of essays, Los Angeles Sketchbook (Spuyten Duyvil, 2015), and a chapbook, Barefoot (Eyewear, 2015). He is one of the founders of Calypso Editions, a cooperative press, and serves as Translation Editor for The Los Angeles Review. He lives in Santa Monica. <a href="http://www.piotrflorczyk.com">www.piotrflorczyk.com</a>.&nbsp;</h4>

Piotr Florczyk

The Collaborative Skein: Searching for a Way Forward in Polish-Jewish Relations, a Conversation

"You can't ignore politics, no matter how much you'd like to." — Molly Ivins

Politics

Time Regained: Reading Józef Czapski in Billings, Montana

"There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them." — Federico García Lorca

Nonfiction

When a Rock Is a Stone: Finding “Spiral Jetty”

"Art is making something out of nothing and selling it." — Frank Zappa

Art &amp; Architecture

Slight Exaggeration: An Interview with Adam Zagajewski

"I have nothing to say, and I am saying it, and that is poetry." — John Cage

Poetry

Writer in Exile: An Interview with Yasmine Merei

The Aphasia Book Club

Vera Gran: The Accused

Confronting the Accused: On Agata Tuszynska and Vera Gran

Crete Spring: An Appreciation for James Hillman (1926–2011)

Jacob Glatstein
The Glatstein Chronicles
Edited by Ruth R. Wisse
Yale University Press, November 2010. 432 pp.

The Glatstein Chronicles

Yizkor Bukher

Louise Steinman is a writer, artist, and independent literary curator. She was the founder and long-time curator of the&nbsp;<a href="http://lfla.org/calendar/">ALOUD series</a>&nbsp;for the Library Foundation of Los Angeles. She is Co-director of the Los Angeles Institute for Humanities at USC and the author of three books, most recently The Crooked Mirror: A Memoir of Polish-Jewish Reconciliation. She blogs at&nbsp;<a href="https://lareviewofbooks.org/contributor/louise-steinman/www.crookedmirror.wordpress.com">www.crookedmirror.wordpress.com</a>