A Child Makes a Future, and What Future Had We?
Carol Senf reviews Kathe Koja’s “Catherine the Ghost.”
Carol Senf reviews Kathe Koja’s “Catherine the Ghost.”
Christian Kriticos reviews “The Collected Poems of J. R. R. Tolkien.”
Nathan Blansett reviews Margaret Ross’s poetry collection “Saturday.”
Frank Bergon reviews two new collections from Dagoberto Gilb: “New Testaments” and “A Passing West: Essays from the Borderlands.”
Emily Quintanilla finds at least 13 reasons why you’d not be bored at Wallows’ hometown show at the Forum.
Conor Williams reviews Carrie Rickey’s “A Complicated Passion: The Life and Work of Agnès Varda.”
Fiona Lindsay Shen reviews a display of countercultural art soon to be open at Cerritos College.
In the latest installment of Screen Shots, Annie Berke recalls Michel Gondry’s “Eternal Sunshine of the Spotless Mind,” a love story about memory loss, for its 20th anniversary.
Michele Willens reviews Connie Chung’s memoir, which recalls her barrier-shattering career in TV news journalism.
Stuart Schrader examines the historical origins and current ramifications of “cop city” complexes.
Melissa Saywell explores Long Beach’s queer history at a Circa Festival event.
Kate Wolf speaks to the author Deborah Levy about her new book, a collection of essays called “The Position of Spoons: And Other Intimacies.”
Donald Trump is sometimes compared to Adolf Hitler in his narcissism and authoritarianism. Tom Zoellner looks at German history for parallels and contradictions.
On the Lord’s Day, Madeleine Connors hits up Jumbo’s Clown Room and finds that there is no God, only Topaz the dancer.
Charlie Tyson identifies a political turn in Alan Hollinghurst’s latest novel, “Our Evenings.”
C. Francis Fisher interviews Madeleine Cravens about her debut book of poems, “Pleasure Principle.”