Blinded by the Frights
Aspiring It-ghoul Brittany Menjivar gets stabbed by the Grabber and barbed by Chucky at Universal Studios Halloween Horror Nights.
Aspiring It-ghoul Brittany Menjivar gets stabbed by the Grabber and barbed by Chucky at Universal Studios Halloween Horror Nights.
Tim Riley reviews Robert Hilburn’s “A Few Words In Defense of Our Country: The Biography of Randy Newman.”
Christopher Kondrich reviews Aditi Machado’s “Material Witness”
Christian Wessels reviews Forrest Gander’s “Mojave Ghost.”
Caroline Tracey explores, via Dahlia de la Cerda’s “Reservoir Bitches,” the possibilities and limits of women’s agency on the fringes of Mexico’s narcosphere.
Maggie Hennefeld writes on the powers and perils of satirical laughter in the run-up to the 2024 US elections.
Paul Finkelman reviews Richard L. Hasen’s “A Real Right to Vote: How a Constitutional Amendment Can Safeguard American Democracy.”
Brittany Menjivar departs Tinseltown for Halloween Town and gets her Edward Burger Hands dirty.
Alina Stefanescu reviews “The Use of Photography” by Annie Ernaux and Marc Marie, newly translated into English by Alison L. Strayer.
James Webster reviews Lucy Ives’s essay collection “An Image of My Name Enters America.”
Brittany Menjivar enters the Void to get slizzard at the Subculture anniversary party in Mid-City.
Kate Wolf and Eric Newman speak with Alexis Pauline Gumbs about “Survival Is A Promise: the Eternal Life of Audre Lorde.”
In the fifth essay of the Legacies of Eugenics series, Ruha Benjamin explores how AI evangelists wrap their self-interest in a cloak of humanistic concern.
Dylan Adamson reviews Kier-La Janisse’s “Cockfight: A Fable of Failure,” a book about the 1974 film “Cockfighter.”
Raymond De Luca reviews a long-awaited new film adaptation of Mikhail Bulgakov’s novel “The Master and Margarita.”
A. J. Urquidi splurges on emo guyliner at his mall’s Hot Topic before watching Saosin play their timeless debut record live in Garden Grove.