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Beautiful Excesses
Torsa Ghosal reviews the latest entry in the Murty Classical Library of India series, the “greatest hits” anthology “Ten Indian Classics.”
Archive
The Life and Times of Lula da Silva
Andre Pagliarini considers the recent biography “Lula” by Fernando Morais, translated by Brian Mier.
Aria Aber’s “Good Girl”
Kate Wolf and Medaya Ocher are joined by writer and poet Aria Aber to discuss her first novel, “Good Girl.”
Between Pleasure and Pain
L. A. Johnson interviews Eduardo Martínez-Leyva about his debut poetry collection, “Cowboy Park.”
Clambering for Metaphor
Jaye Chen reviews Steven Duong’s “At the End of the World There Is a Pond.”
Making Space for Beauty in Miniature
A. Cerisse Cohen reviews Christine Coulson’s “One Woman Show.”
Temporary Community
Sesshu Foster reports from a mutual aid center in the aftermath of the Los Angeles wildfires.
The Case for Kicking the Stone
Philip Ball finds Nicholas Carr’s “Superbloom: How Technologies of Connection Tear Us Apart” disturbingly compelling.
Reassembling the Fragments
Anastasios Karnazes interviews Alan Gilbert about the new edition of his ongoing epic poem, “The Everyday Life of Design.”
Are We Human? Or Are We Good Girls?
Leah Abrams reviews Aria Aber’s debut novel “Good Girl.”
Looking Back at 1925
In this first of 12 monthly articles, LARB founder Tom Lutz reflects on the significance of the year 1925.
Trump L’Oeil: Spectacle in the Age of Trump
In this week’s episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump.
The Land that Secretes Light
Dan Beachy-Quick reviews Joseph Donahue’s “Terra Lucida XIII–XXI.”
That’s Nature for You
Annie Berke reviews Jenny Slate’s new motherhood meditation, “Lifeform.”
Not a Cautionary Tale
Sophia Stewart reviews Aaron Schimberg’s film “A Different Man.”
Capacious and Alive
Nadia Ghent reviews “The Uncollected Stories of Mavis Gallant.”
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