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It Was Just a More Empathetic Time Online
Lexi Kent-Monning interviews Kristen Felicetti about her new novel, “Log Off.”
Archive
Epitaph for the American Idea
Eric Weiskott reviews Elizabeth Willis’s “Liontaming in America.”
Decisions, Decisions
Matt Hanson asks why so many voters are still undecided with such a clear choice.
A Pink Wilderness of Sod and Infrastructure
Katherine Gibbel reviews Lindsey Webb’s “Plat.”
If You Can’t Change the World
Sam Bodrojan considers Francis Ford Coppola’s “Megalopolis.”
Alignment, Not Transition
Hugh Ryan interviews Oliver Radclyffe about gender, late-in-life transition, and Radclyffe’s memoir, “Frighten the Horses.”
A Technicolor Key to Trump’s Desires
Bill Lattanzi illuminates Trump’s dark fantasies through the lens of a Hollywood classic, Melville Shavelson’s “Houseboat.”
Eastern Moonbeams
Jonathan Conlin reviews Nile Green’s “Empire’s Son, Empire’s Orphan: The Fantastical Lives of Ikbal and Idries Shah.”
Simon Critchley’s “Mysticism”
Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, “Mysticism.”
Another Chance at This Dilapidated Earth
Lauren Markham considers personal and planetary grief, longing, and estrangement in her review of Laura Marris’s “The Age of Loneliness.”
32 Strips of Paper
Tom Zoellner considers Tim Z. Hernandez’s “They Call You Back: A Lost History, A Search, A Memoir,” about the book that helped solve mysteries associated with a 1948 plane crash.
We Are the Whirled
Eli Diner endures the Divine Wrath of AI fireworks art at the Coliseum, courtesy of C(AI) Guo-Qiang.
Learning from Decadence
Jason Christian interviews Yuri Herrera about “Season of the Swamp,” New Orleans, and Benito Juárez.
To Build a Brother
Aurora Shimshak reviews Alison Thumel’s debut poetry collection, “Architect.”
A Venerable and Time-Tested Guide
Peter B. Kaufman reviews the 18th edition of “The Chicago Manual of Style.”
Can Opera Be Reborn?
Peter Kazaras reviews Yuval Sharon’s “A New Philosophy of Opera.”
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