You Are Having Fun
Will Gottsegen considers what is lost in Spotify’s era of pandering recommendation.
Will Gottsegen considers what is lost in Spotify’s era of pandering recommendation.
Valentina Polcini reviews Dino Buzzati’s “The Bewitched Bourgeois: Fifty Stories.”
As Sudanese civilians endure the world’s biggest displacement and humanitarian crises, uprooted political analyst Dallia Abdelmoniem unpacks the genocidal war in her country.
Eric Newman speaks with Colette Shade about her book “Y2K: How the 2000s Became Everything.”
Danica Jenkins reviews Leo Vardiashvili’s debut novel “Hard by a Great Forest.”
Michael Goodrum reviews Jeremy Dauber’s “American Scary: A History of Horror, from Salem to Stephen King and Beyond.”
Tim Riley considers Preston Lauterbach’s “Before Elvis: The African American Musicians Who Made the King.”
Jacob Babb reviews Alix E. Harrow’s “Starling House.”
Maureen Holloway considers Elizabeth Alsop’s “Elaine May.”
Claire Foster reviews Jacqueline Feldman’s book about Paris’s artistic squat scene, “Precarious Lease.”
Grace Byron reviews Sarah Chihaya’s “Bibliophobia.”
Henry Cowles describes how every choice he makes is now haunted by Sophia Rosenfeld’s “The Age of Choice: A History of Freedom in Modern Life.”
Arielle Gordon interviews Liz Pelly about her new book “Mood Machine” and Spotify’s impact on the music industry ecosystem.
LARB presents an excerpt by Wayne Koestenbaum from the anthology “Snapshots: An Album of Essay and Image,” edited by Dinah Lenney.
Jonathan Bolton thoughtfully reads Ursula K. Le Guin’s “The Dispossessed” within and against the grain of a half century of criticism.
Maria Cichosz explores new models of addiction and finds them unsatisfactory.