Off in the Shadows: A Conversation with Patton Oswalt about Michelle McNamara’s I’ll Be Gone in the Dark
Rebecca Schultz interviews Patton Oswalt on Michelle McNamara's true crime story "I'll Be Gone in the Dark."
Rebecca Schultz interviews Patton Oswalt on Michelle McNamara's true crime story "I'll Be Gone in the Dark."
Colleen Kinder reviews the new collage-style memoir by T Kira Madden.
“Peele wants to make clear just how long a nation can delude itself about what’s real.” Sarah Wasserman and Kinohi Nishikawa review “Us.”
Richard M. Cho explores the modernized Korean myth at the heart of Hwang Sok-yong’s “compelling and heartrending” novel “Princess Bari.”
Hollis Robbins explores the failure of Adams and Sellers' gold rush opera "Girls of the Gold West" and wonders when tech entrepreneurs will be the subjects of their own operas.
What the late Stanley Cavell’s memoir tells us about his philosophy.
Madysen Luebke reviews Nadia Bolz-Weber's new book, "Shameless: A Sexual Reformation," which aims to be the catalyst of a new Christian ethics.
Michael Valinsky reviews Hugh Ryan’s new study of Brooklyn’s queer history.
Andrew Zingg reconnects with his grandfather's bossa nova legacy through Alfredinho Jacinto Melo's influential club Bip-bip in Rio de Janeiro.
"A kind of emptiness makes the green spaces of The Spheres feel more like a branding move on Amazon’s part than a facility to be used by actual workers."
Karen Grigsby Bates interviews Rachel Howzell Hall about her new noir novel, “They All Fall Down.”
Tom Lutz joins Juliet Lapidos to discuss "Talent," her new novel about a 29-year-old English grad student who can’t finish her dissertation, spending her days eating pop tarts rather than producing pages.
Laurie Winer reviews several plays currently on Broadway, including "Hadestown," "To Kill a Mockingbird," and "My Fair Lady."
Nathan Goldman reviews Kata Gellen’s “Kafka and Noise: The Discovery of Cinematic Sound in Literary Modernism.”
Andy Fitch interviews Dawn Lundy Martin about her books "Discipline" and "Life in a Box Is a Pretty Life."
Jim Ruland visits “The Border” by Don Winslow.