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Triumph of the Lost Cause
Jimin Seo examines Azad Ashim Sharma’s collection “Boiled Owls.”
Archive
Unknown Structures
Jonathan Alexander considers the English translations of Annie Ernaux and Marc Marie’s “The Use of Photography” and Hervé Guibert’s “Suzanne and Louise.”
As You Write It
Nicole Graev Lipson about her debut collection, “Mothers and Other Fictional Characters: A Memoir in Essays.”
We Are Never Well, nor Can Be So
Helena Aeberli ponders Caroline Crampton’s “A Body Made of Glass: A Cultural History of Hypochondria.”
My Poem with This Wailing in the Background
Christopher Kempf reviews Rachel Richardson’s “Smother” and Esther Lin’s “Cold Thief Place.”
Hope and Disillusionment
Jeffrey Wasserstrom reviews Clare Hammond’s “On the Shadow Tracks: A Journey Through Occupied Myanmar.”
Rereading “Sula” After the Fall of Roe
Kelly Marie Coyne revisits Toni Morrison’s “Sula” in the wake of Roe v. Wade’s overturning.
This Is What Democracy Looks Like!
Andrew Tonkovich reviews Sue Coe and Stephen F. Eisenman’s “The Young Person’s Illustrated Guide to American Fascism.”
Children in the Underworld
Evangeline Riddiford Graham reviews William Archila’s collection “S Is For.”
A Language for Sharing
Sumana Roy considers Michel Chaouli’s “Something Speaks to Me: Where Criticism Begins.”
There Is No Happy Nonsense
Mark Dery reviews "From Ted to Tom: The Illustrated Envelopes of Edward Gorey."
Haley Mlotek’s “No Fault: A Memoir of Divorce and Romance”
Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about “No Fault: A Memoir of Divorce and Romance.”
The Light and the Poverty
Dominic Amerena examines the enduring appeal of Greece and the destination novel.
The Man Who Knew the Price
Spencer Weinreich examines the late Alexei Navalny’s memoir “Patriot.”
These Words Contain My Pulse
Cory Oldweiler reviews Argentine author Agustina Bazterrica’s terrifying dystopian novel “The Unworthy,” translated by Sarah Moses.
The Matador Waits
Dashiel Carrera reviews Nathan Dragon’s “The Champ Is Here.”
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