Mean Mommies: Care in Contemporary Queer Literature
In an essay from the LARB Quarterly issue no. 43, “Fixation,” Jenny Fran Davis considers the portrayal of care in contemporary queer literature.
In an essay from the LARB Quarterly issue no. 43, “Fixation,” Jenny Fran Davis considers the portrayal of care in contemporary queer literature.
Mitchell Abidor reviews Edwin Frank’s “Stranger Than Fiction: Lives of the Twentieth-Century Novel.”
Charlie Taylor reviews “Hotel Lux: An Intimate History of Communism’s Forgotten Radicals” by Maurice J. Casey.
Grooving to the Lemon Twigs at the Belasco, A. J. Urquidi finds hope for the future in weaponizing the past.
Julien Crockett interviews Kelly Clancy about gamification, simulations, and her new book “Playing with Reality: How Games Have Shaped Our World.”
Stacy Hartman and Heather Hewett examine how the humanities are being reimagined in departments and programs across higher education today.
Bruce Krajewski reviews Damion Searls’s “The Philosophy of Translation.”
Rob Latham reviews Harlan Ellison’s anthology “The Last Dangerous Visions” and the 60th anniversary issue of Michael Moorcock’s “New Worlds” magazine.
At Bruce Wagner’s Echo Park book launch, he discusses the “Joker” sequel and attention-starved cave-dwelling monks, as Brittany Menjivar reports.
Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction.
Olivia Stowell considers Danzy Senna’s new novel “Colored Television.”
Jeffrey Collins reviews Jed W. Atkins’s “The Christian Origins of Tolerance.”
Erdağ Göknar reviews Orhan Pamuk’s “Memories of Distant Mountains: Illustrated Notebooks, 2009–2022.”
Giovanni Vimercati profiles the L.A. Rebellion filmmaker on the occasion of his latest film, the documentary “Mário.”
Ben Wurgaft demonstrates how Steven Shapin’s “Eating and Being” illuminates the intellectual and cultural dynamics of “dietetics”—the relationship between diet, health, and identity—like no prior work on the subject.
Molly D. Boyd considers Nick Cutter’s new horror novel “The Queen.”