The Transversal Spirit of the Feminist Strike
Amy Reed-Sandoval considers feminist anti-fascism in the writings of Verónica Gago.
Amy Reed-Sandoval considers feminist anti-fascism in the writings of Verónica Gago.
Emily Wells interviews William J. Simmons about “Love and Degradation: Excessive Desires in Queer-Feminist Art.”
Andrew Koppelman delves into Neil Gorsuch and Janie Nitze’s “Over Ruled: The Human Toll of Too Much Law.”
Janice Weizman reviews Marcela Sulak’s “The Fault” and Carlie Hoffman’s “One More World Like This World.”
Max Callimanopulos examines Nobel laureate Abdulrazak Gurnah’s new novel “Theft.”
Eileen G’Sell reviews two new poetry collections, Virginia Konchan’s “Requiem” and Cass Donish’s “Your Dazzling Death.”
Josh Billings reviews Helen Garner’s “How to End a Story: Collected Diaries, 1978–1998.”
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Abby Aguirre considers Errol Morris’s new documentary “CHAOS: The Manson Murders.”
Irene Katz Connelly reviews Michelle de Kretser’s new novel “Theory & Practice.”
Megan Fernandes interviews Kiran Bath about “Instructions for Banno.”
Eric Newman speaks with Torrey Peters about her new story collection, “Stag Dance.”
Kate Wolf considers Gregory Ain’s Altadena housing development in the wake of the Los Angeles fires.
Jill Bialosky interviews David St. John about his new book of poems, “Prayer for My Daughter.”
Michał Choiński ponders the sudden popularity of new translations of William Faulkner’s novels in Poland.
Columbia professor Bruce Robbins wonders what the Trump administration is so afraid of, as it deploys ICE agents to campus to detain student protesters.