Disaster Triumphant
Visiting Trinity Site, location of the Manhattan Project, Christopher Kempf is stunned by the failures of the American curatorial imagination.
Visiting Trinity Site, location of the Manhattan Project, Christopher Kempf is stunned by the failures of the American curatorial imagination.
Blaire Briody considers localized extremism as portrayed in Sasha Abramsky’s “Chaos Comes Calling: The Battle Against the Far-Right Takeover of Small-Town America.”
Lauren Eriks Cline looks back at 20 years of the TV series “Lost” and the lessons it holds for us today.
A. J. Urquidi battles winter temperatures, Trump cameos, and banh mi wait times to reevaluate the first two “Home Alone” movies at an L.A. outdoor screening.
Brontez Purnell pays tribute to Madonna through a close reading of her performance in “Desperately Seeking Susan,” in an essay from the LARB Quarterly issue no. 43, “Fixation.”
After an oil Mordor detour, Steve Kado meets artist-orchidist Jason Gomez and the plant perverts at CSU Bakersfield’s gallery.
In conversation at a LARB Luminary Dinner, Richard Powers and Rosanna Xia discuss cross-genre environmental writing, storytelling as music-making, and finding inspiration at the bottom of the ocean.
Robert Louis Stevenson scholar Trenton B. Olsen reviews “A Wilder Shore” by Camille Peri.
In an essay from the LARB Quarterly issue no. 43, “Fixation,” Charlie Clewis reports from a military compound in the Syrian desert.
Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, “Ernest Cole: Lost and Found,” out in theaters now.
Rebecca F. Kuang reviews Lai Wen’s “Tiananmen Square” and Juli Min’s “Shanghailanders.”
R. John Williams considers what the HBO docuseries “Breath of Fire” reveals about “new” religious experiences.
Akanksha Singh interviews Jokha Alharthi about her latest novel, “Silken Gazelles.”
Brittany Menjivar stuffs herself with trivia on the art of museum dioramas.
In a pair of flash fiction pieces from the LARB Quarterly issue no. 43, “Fixation,” Venita Blackburn traces the porous border between this life and one beyond.
Jack Skelley reports from a star-struck showcase of cyborg feminists, futuristic fetishists, and booty mutants: Jeffrey Deitch’s “Post Human” revival.