Life in a MotherCloud: On Rob Hart’s “The Warehouse”
Nathan Jefferson reviews “The Warehouse” by Rob Hart.
Nathan Jefferson reviews “The Warehouse” by Rob Hart.
Jacob Edmond's "Make It the Same" should be celebrated not only for what the book does well, but also for what it makes possible for scholars to do next.
The pop diva’s new album, “Norman Fucking Rockwell!,” is a siren song of compassionate resistance.
Sarah M. Broom discusses her latest book, The Yellow House
Leslie Kendall Dye views Hulu's series, The Act, through the lens of motherhood, daughterhood, and inter-generational trauma.
Andy Fitch turns the tables on Valeria Luiselli, and poses 40 questions to her 40 questions in "Tell Me How It Ends."
Anna E. Clark reviews Anita Felicelli’s debut novel, “Chimerica.”
In collaboration with Creative Capital, LARB will publish 12 essays over 12 months on issues facing contemporary art in the United States.
Emily Janakiram rethinks our romantic attachments to the “love stories” of John Cleland’s “Fanny Hill” and Jane Austen’s “Pride and Prejudice.”
K. Aleah Papes takes a look at the treatment of android rights in "Solo: A Star Wars Story."
Rita Felski on the limits of critique, the democratization of reading, and the power of the “re-”.
M. Buna speaks with Eli Meyerhoff, an anti-education and alter-education advocate and author of “Beyond Education: Radical Studying for Another World.”
In a piece from the LARB Imitation Issue, R. Jay Magill situates the ASMR phenomenon within a long history of American longing for intimacy.
LARB presents an excerpt from “Stay Woke: A People’s Guide to Making All Black Lives Matter,” written by Tehama Lopez Bunyasi and Candis Watts Smith.
LARB presents an excerpt from “A World Divided: The Global Struggle for Human Rights in the Age of Nation-States” by Eric D. Weitz.
Professor and programmer Maggie Hennefeld explores the world of forgotten silent film actresses and archivists’ struggles to rediscover lost film art.