The Impossible Future of the Futures Market
A special issue of “New Centennial Review” tackles the metastases of finance capitalism.
A special issue of “New Centennial Review” tackles the metastases of finance capitalism.
Christopher Shinn talks to Jeremy O. Harris about his recent plays “‘Daddy’” and “Slave Play.”
A conversation between poets John James and Christopher Kondrich.
Andy Fitch talks with Andrew McAfee about consumption, ecological footprints, and his book "More from Less."
On forgiveness and forgiveness betrayed in “Heaven, My Home” by Attica Locke, the sequel to her 2017 novel “Bluebird, Bluebird.”
Laura Weiss traverses Todd Miller's "Empire of Borders: The Expansion of the US Border Around the World."
Ellen Wayland-Smith reviews Rachel Monroe’s “Savage Appetites: Four True Stories of Women, Crime, and Obsession.”
Eunsong Kim considers Dread Scott’s "Lockdown" (2000–2004) and Gaye Chan’s "Historic Waikiki" (2001).
Janine Barchas discovers meaning in a lesser-known printing of Austen's classic tale.
Megan Ward looks at the 2018 film “Museo,” starring Gael García Bernal, and contemporary debates around museum repatriation and cultural memory.
Caryl Emerson ponders "Fourteen Little Red Huts" and the moral visions of Andrei Platonov, Vladimir Sharov, and George Bernard Shaw.
In Ingeborg Bachmann’s only completed novel “Malina,” translated by Philip Boehm, the first-person narrator is unnamed, or her name is simply "I".
Valerie Slaughter discusses the tribulations of monogamy, performative relationships, and the hit British reality dating show "Love Island."
Brian Finney reviews “Quichotte,” the latest novel from Salman Rushdie.