Apocalyptic Childhood: On Cixin Liu’s “Supernova Era”
Cixin Liu’s “Supernova Era” offers a tantalizing glimpse into another universe where parents won’t simply let their children die without a fight.
Cixin Liu’s “Supernova Era” offers a tantalizing glimpse into another universe where parents won’t simply let their children die without a fight.
Eric Newman reviews “Find Me,” André Aciman’s underwhelming sequel to “Call Me by Your Name.”
Jaquira Díaz discusses her new memoir, her love of music, and her gratitude for the richness of her Puerto Rican heritage.
Bruce Bauman observes the decline of unfiltered celebrities.
Rachel Barenbaum talks to writer Téa Obreht about her new novel, "Inland."
Jim Ruland talks to writer Hanna Jameson about her new novel, “The Last.”
Chang-Min Yu reviews Joseph Jonghyun Jeon’s volume on Korean cinema and its rendering of global economic logics through film language and narrative.
Sophia Stewart takes a tour through titles that meant something to her in the past year.
Kevin O’Rourke considers “The Problem of the Many” by Timothy Donnelly.
A queer Puerto Rican girl from the Bronx has a summer fling in Gabby Rivera’s “Juliet Takes a Breath.”
Arthur McCaffrey looks at a cross-section of recent literature about cults, growing up in them, and growing away from them.
Emily Hodgson Anderson on the promises and perils of reading aloud.
What does the central role of literary disinheritance in Beckett's work teach us about those who voted for Brexit?
For Tim Maughan, culture is resolutely material. What happens to cultural production when the dominant medium of our moment, the cloud, evaporates?
The teen film “Adam” turns complex issues of trans visibility into a vacuous sex farce.
Amelia Glaser draws parallels between the audience with Catherine the Great in Gogol's “Christmas Eve” and Donald Trump speaking with Volodymyr Zelensky.