How to Market Classical Music: A Conversation with Aubrey Bergauer
Theodore Gioia speaks to Aubrey Bergauer, the former executive director of the California Symphony, about programming a more diverse repertoire.
Theodore Gioia speaks to Aubrey Bergauer, the former executive director of the California Symphony, about programming a more diverse repertoire.
Carol Muske-Dukes considers “To the Wren: Collected & New Poems” by Jane Mead.
Sam Buckland considers Terrence Malick’s “A Hidden Life” as a philosophical photo-negative of Hannah Arendt’s “banality of evil.”
Eric Gudas pens a eulogy for the Leo S. Bing Theatre, set to be demolished during Michael Govan and Peter Zumthor’s LACMA renovation.
Michael J. Barany reviews Karen Olsson’s “The Weil Conjectures,” a hybrid elegy and memoir about the power of conjecturing — in math, life, and writing.
Sean McCoy talks to JP Gritton about his debut novel, “Wyoming.”
A major new translation of essays by a seminal Moroccan scholar of postcolonialism.
Steve Lichtman reviews the week in politics and culture.
Natalia Winkelman reviews Marielle Heller's "A Beautiful Day in the Neighborhood," starring Tom Hanks as Mr. Rogers.
A new book about what’s left of the Old West in the San Joaquin Valley.
Historian of Science Steven Shapin turns the screw on the notion that “truth” is in crisis.
Natalia Holtzman herds “All My Cats” by Bohumil Hrabal, translated from the Czech by Paul Wilson.
Bailey Trela reviews the haunting majesty of the Met's "The Last Knight" exhibition, on display until January 5, 2020.
Can you be both a Zionist and a progressive?
What teaching Lauren Berlant and Kathleen Stewart's "The Hundreds" taught Casey Dawson and Christopher Schaberg.
Shifra Sharlin presents 13 ways of looking at Kazimir Malevich’s “Black Square.”