Learning from the “Vandals”: Histories of Forgetting
Dear fellow historian, archaeologist, heritage specialist, Many of you have been watching the current moment with considerable anxiety.
Dear fellow historian, archaeologist, heritage specialist, Many of you have been watching the current moment with considerable anxiety.
A new book about Eastern Europe’s turn to the right gets it so wrong.
Representative Ilhan Omar talks about a past that led her to stand up for New Americans and embrace the challenges of American democracy.
Writer Daniel Lisi talks with playwright Aziza Barnes about Los Angeles’s arts landscape and cultural exchange at the theater.
Poets Omar Sakr and George Abraham on writing their latest books of poetry and decolonizing literature of the Arab diaspora.
Alexander Stern explores the frictionless ease of communication in the digital age.
Ryan Coleman reviews “Get Out: The Complete Annotated Screenplay” and offers an intersecting history of Black horror.
Chas Walker compares the expendability of the crowd in horror films to our current pandemic thinking.
Dan Friedman finds meaning in “Meaning a Life,” the autobiography of Mary Oppen.
Zack Graham looks at “Death in Her Hands,” the new novel from Ottessa Moshfegh.
A group of TV scholars consider Apple TV+'s new docuseries, "Visible: Out on Television," and the narratives of history and visibility it tells.
Maggie Hennefeld explores epidemics in early slapstick: as subject, as context, and as commodity.
Talking to Percival Everett about his new novel, Telephone
Nobel laureate J. M. Coetzee’s Jesus trilogy is a stark allegory of dystopian modernity.
White women have trafficked in Black women’s milk.