Rethinking Rape and Laughter: Michaela Coel's "I May Destroy You"
Rebecca Wanzo describes how Michaela Coel's HBO series about trauma and recovery uses laughter to defiantly resist despair.
Rebecca Wanzo describes how Michaela Coel's HBO series about trauma and recovery uses laughter to defiantly resist despair.
A newly translated study of the vicissitudes of European immigration to the United States.
Rebecca Chapman makes a case for bringing the First Amendment closer to intended purpose.
For the first time in English translation, two pieces of political satire by the late Chilean author Pedro Lemebel.
Joanna Lee considers “A Treatise on Stars” by Mei-mei Berssenbrugge.
Kiley Bense charts a path through pandemic gloom with help from a record of small daily joys.
Cass R. Sunstein looks at Liel Leibovitz’s recently published biography of Stan Lee.
Yvonne Conza interviews Claudia Rankine about her newest work, “Just Us: An American Conversation.”
Sibelan Forrester reviews “Evgeny Boratynsky and the Russian Golden Age,” translated and annotated by Anatoly Liberman.
On the inspirational lyricism of Camus’s essays.
On the writings of two major avant-garde dancers and choreographers.
Emily Hodgson Anderson writes about what it means to chase goals, stories, and relationships.
An acutely observed, well-written memoir about surviving cancer, generously leavened with humor.
Rachael Scarborough King on three books that consider the way forward for New Formalism.
Alex Pheby’s “Mordew” is dark fantasy for late capitalism.
Reckoning with the ghosts of neglected women authors.