Lost Pangeas: Tess Taylor’s “Last West” and “Rift Zone”
JinJin Xu considers “Late West” and “Rift Zone” by Tess Taylor.
JinJin Xu considers “Late West” and “Rift Zone” by Tess Taylor.
Andy Fitch and Philip Gordon inspect the problems plaguing regime-change thinking in the Middle East, and Gordon's book "Losing the Long Game."
Did the hammer come down too hard on Navinder Sarao? Ankush Khardori reviews Liam Vaughan's "Flash Crash."
“Communist Pigs” advances the swine history of Germany, taking readers to the era of authoritarian rule in the GDR.
The Plaza in downtown Orange used to seem like a page from a conservative storybook. Not anymore.
Piper French reviews "The Passenger: Greece," the new essay collection from Europa Editions and Iperborea.
If you could have lunch with a famous person or a departed loved one, whom would you choose?
Gabino Iglesias reviews “Growing Things,” the recently published collection of short stories by Paul Tremblay.
Chelsea Davis puts three films from 2000 in context with the institutionalized support of white, male rage and “aggrieved entitlement.”
Richard M. Cho considers the novels of Malaysian writer Tash Aw.
A history of Sharpe’s Rebellion in Jamaica and its role in the abolition of British slavery.
Will Brewbaker considers “Sometimes I Never Suffered” by Shane McCrae.
Sarah Herrington in conversation with Rachel Eliza Griffiths about her new poetry collection, “Seeing the Body.”
Robert Diab on William Deresiewicz’s new book, “The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech.”