Wild in a Good Way
Cameron Engwall interviews Rob Franklin about “Great Black Hope,” his debut novel.
Cameron Engwall interviews Rob Franklin about “Great Black Hope,” his debut novel.
Evan Hill finds himself mired down in Alex Garland’s “Warfare.”
In the fifth installment in an ongoing series, LARB founder Tom Lutz reflects on the convergence of politics and cultural power in early Hollywood.
Sarah LaBrie talks to Nina St. Pierre about their respective memoirs, “No One Gets to Fall Apart” and “Love Is a Burning Thing.”
Ikechúkwú Onyewuenyi attends an exhibition of Bruce Nauman’s early work, at Marian Goodman Gallery in Los Angeles.
Anne Anlin Cheng looks deeper into Ryan Coogler’s new film “Sinners” and its violent exploration of racial oppression.
Kieran Setiya reviews Christoph Schuringa’s “A Social History of Analytic Philosophy.”
Isabelle Stuart examines Megan Hunter’s new novel, “Days of Light.”
Sophie Lewis considers Keiran Goddard’s “I See Buildings Fall Like Lightning.”
Doyle D. Calhoun visits “Black Paris: Artistic Circulations and Anti-Colonial Struggles, 1950–2000” at the Centre Pompidou.
L. Benjamin Rolsky explores Quinn Slobodian’s “Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right.”
Grant Sharples interviews the filmmaker Alex Ross Perry about “Pavements,” his unconventional new feature about the band.
Guobin Yang dives into two new books on Mao-era China.
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman wrestle with the question: What are we to do about shame?
Andrew Koenig considers Elisha Cohn’s “Milieu: A Creaturely Theory of the Contemporary Novel.”
Joel Seligman discusses Stephen H. Legomsky’s radical call for restructuring the American republic.