My Poem with This Wailing in the Background
Christopher Kempf reviews Rachel Richardson’s “Smother” and Esther Lin’s “Cold Thief Place.”
Christopher Kempf reviews Rachel Richardson’s “Smother” and Esther Lin’s “Cold Thief Place.”
Jeffrey Wasserstrom reviews Clare Hammond’s “On the Shadow Tracks: A Journey Through Occupied Myanmar.”
Kelly Marie Coyne revisits Toni Morrison’s “Sula” in the wake of Roe v. Wade’s overturning.
Andrew Tonkovich reviews Sue Coe and Stephen F. Eisenman’s “The Young Person’s Illustrated Guide to American Fascism.”
Evangeline Riddiford Graham reviews William Archila’s collection “S Is For.”
Sumana Roy considers Michel Chaouli’s “Something Speaks to Me: Where Criticism Begins.”
Mark Dery reviews "From Ted to Tom: The Illustrated Envelopes of Edward Gorey."
Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about “No Fault: A Memoir of Divorce and Romance.”
Dominic Amerena examines the enduring appeal of Greece and the destination novel.
Spencer Weinreich examines the late Alexei Navalny’s memoir “Patriot.”
Cory Oldweiler reviews Argentine author Agustina Bazterrica’s terrifying dystopian novel “The Unworthy,” translated by Sarah Moses.
Dashiel Carrera reviews Nathan Dragon’s “The Champ Is Here.”
René Johannes Kooiker explores Marlon James’s series “Get Millie Black,” in which detectives chase ghosts as well as criminals.
Souli Boutis reviews Carlos Labbé’s novel “The Murmuration,” translated by Will Vanderhyden.
Gary Lippman remembers his friend, the late American author Tom Robbins.
Akanksha Singh reviews Mayukh Sen’s “Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star.”