The Paisley Underground Redux
Adam Sobsey revisits the early-1980s Los Angeles indie-pop scene.
Adam Sobsey revisits the early-1980s Los Angeles indie-pop scene.
Alex Mormorunni reviews Bei Dao’s “Sidetracks” and Eliot Weinberger's “The Life of Tu Fu.”
Manuel Antonio Córdoba examines the never-ending quest for a Spanish-language David Foster Wallace.
Michelle Cohn explores Mati Diop’s recent film “Dahomey.”
Gisela Salim-Peyer explores the Oscar-nominated chronicle of one family’s encounter with military dictatorship in Brazil.
Scott reviews Grady Hendrix’s “Witchcraft for Wayward Girls.”
In this special episode, host Eric Newman joins LARB senior editor Paul Thompson and Film Comment co-editors Devika Girish and Clinton Krute for a look at this year’s Oscar nominees.
Abe Beame traces the history of a curious term.
Tim Brinkhof ponders the Dutch master’s influence on literature.
Alix Christie interviews Andrea Barrett about “Dust and Light: On the Art of Fact in Fiction.”
Jenessa Abrams considers Shayne Terry’s “Leave: A Postpartum Account.”
Charlotte Rogers has some concerns about Julie Sedivy’s “Linguaphile: A Life of Language Love.”
In a new installment of an ongoing series, LARB founder Tom Lutz reflects on evangelist Aimee Semple McPherson and the significance of the year 1925.
Gideon Leek reviews Sophie Madeline Dess’s “What You Make of Me.”
Rodger Citron reviews Robert L. Tsai’s “Demand the Impossible: One Lawyer’s Pursuit of Equal Justice for All.”
In the wake of January’s devastating fires around Los Angeles, LARB presents a new poem from Jessica Abughattas.