Leaving and Arriving
Max Callimanopulos examines Nobel laureate Abdulrazak Gurnah’s new novel “Theft.”
Max Callimanopulos examines Nobel laureate Abdulrazak Gurnah’s new novel “Theft.”
Eileen G’Sell reviews two new poetry collections, Virginia Konchan’s “Requiem” and Cass Donish’s “Your Dazzling Death.”
Josh Billings reviews Helen Garner’s “How to End a Story: Collected Diaries, 1978–1998.”
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Abby Aguirre considers Errol Morris’s new documentary “CHAOS: The Manson Murders.”
Irene Katz Connelly reviews Michelle de Kretser’s new novel “Theory & Practice.”
Megan Fernandes interviews Kiran Bath about “Instructions for Banno.”
Eric Newman speaks with Torrey Peters about her new story collection, “Stag Dance.”
Kate Wolf considers Gregory Ain’s Altadena housing development in the wake of the Los Angeles fires.
Jill Bialosky interviews David St. John about his new book of poems, “Prayer for My Daughter.”
Michał Choiński ponders the sudden popularity of new translations of William Faulkner’s novels in Poland.
Columbia professor Bruce Robbins wonders what the Trump administration is so afraid of, as it deploys ICE agents to campus to detain student protesters.
Jimin Seo examines Azad Ashim Sharma’s collection “Boiled Owls.”
Jonathan Alexander considers the English translations of Annie Ernaux and Marc Marie’s “The Use of Photography” and Hervé Guibert’s “Suzanne and Louise.”
Nicole Graev Lipson about her debut collection, “Mothers and Other Fictional Characters: A Memoir in Essays.”
Helena Aeberli ponders Caroline Crampton’s “A Body Made of Glass: A Cultural History of Hypochondria.”