A Family Saga for the Anthropocene: On Zsuzsa Selyem’s “It’s Raining in Moscow”
The story of a posthuman Romanian farmer, told by a cat, a blackbird, a bedbug, and a hemlock tree.
The story of a posthuman Romanian farmer, told by a cat, a blackbird, a bedbug, and a hemlock tree.
Two new books lay out the differences between anti-extremism and anti-fascism.
An anthology about climate change has a focus on sewage and trash.
In a 2002 Interview, Carl Reiner Revealed Trade Secrets
Colin Marshall discusses the enigmatic and subtle qualities of Bae Suah's fiction.
On the centennial of the 19th Amendment, Emma Goldman reminds us that the vote is not a panacea.
Nina Allan reviews “The Sunken Land Begins to Rise Again,” the latest novel from M. John Harrison.
DW McKinney surveys the latest major works of manhwa to be published in the United States, including “Grass,” “Uncomfortably Happily,” and “Bad Friends.”
Reckoning with the legacies of racism requires confronting the unique perils faced by ethnic Asian persons and communities.
Akanksha Singh considers plotlessness, and how it's perceived by stories of different cultural provenance.
Talking to Richard Seymour, author of The Twittering Machine, about the “social industry"
Gary Edward Holcomb and William J. Maxwell on the publication of Claude McKay’s “Romance in Marseille.”
Annie Berke writes about how two recent Netflix original films thematize loneliness and our romance with screens under quarantine.
Growing up with the man in black.