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Ghassan Kanafani’s “Guerrilla Rhetoric,” Then and Now
Jay Murphy reviews “Ghassan Kanafani: Selected Political Writings,” a collection of newly translated essays by the influential Palestinian philosopher, author, and activist.
Archive
Susan Choi’s “Flashlight”
Susan Choi joins Kate Wolf and Medaya Ocher to speak about her new novel, “Flashlight.”
Fear, Loathing
Yousef Srour traces the abstraction of death in post-9/11 America.
The Undying Chinese Writing System
Colin Marshall reviews two books about the past and present of the Chinese writing system.
Things Still to Be Salvaged
Laurie Winer assesses Damion Searls’s new translation of “The Third Reich of Dreams: Nightmares of a Nation” by Charlotte Beradt.
Searching for a Heart
Rachel Elizabeth Jones reviews three new indie films about loss, grief, and absence.
Politics as Usual
Mary Turfah writes on Iran.
My Direct Debits Hit at Midnight
Rhian Sasseen considers party-writing in Caleb Femi’s latest poetry collection, “The Wickedest.”
Never a Patient Woman
Emmeline Clein finds pockets of faith in feminist writer Shulamith Firestone's ostensibly airless spaces in an essay from LARB Quarterly no. 45: “Submission.”
Movement Injuries
Christopher T. Fan explores two new novels, Brian Hioe’s “Taipei at Daybreak” and Yáng Shuāng-zǐ’s “Taiwan Travelogue.”
The Heart Keeps On
Daniel Grubbs-Donovan reviews Martin Aitken’s new translation of “Stay with Me,” a recent novel by Norwegian author Hanne Ørstavik.
Trans Women in the Heartland
Lori Marso examines “Woodworking,” the debut novel from fellow South Dakotan Emily St. James.
A Story Needs to Shake You Up
Akanksha Singh speaks with Jonas Hassen Khemiri, author of “The Sisters,” about the process of translating his own work and the power of the stories we tell ourselves.
The Novel as Revolutionary Instrument
Holiday Dmitri interviews “Mars Review of Books” founder Noah Kumin about his first novel.
Rehearsing for the Apocalypse
Anna Marie Cain interviews Karen Russell about her latest novel, “The Antidote.”
The Hidden Injuries of Class
Harry Stecopoulos reviews Joyce Carol Oates’s new novel “Fox.”
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