The Ghosts of Cambridge
Alex Langstaff reviews Jill Lepore’s “If Then” about the Cold War origins of computational data mining and its seedy alliance with behavioral psychology.
Alex Langstaff reviews Jill Lepore’s “If Then” about the Cold War origins of computational data mining and its seedy alliance with behavioral psychology.
Elvia Wilk on her life In quarantine...
Nathan Scott McNamara considers Nathalie Léger's "The White Dress," out now from Dorothy in a translation by Natasha Lehrer.
A new biography of an important director of the studio era.
Francesca Ebel listens to the varied voices of “F Letter: New Russian Feminist Poetry.”
Colin Marshall looks back on changes in Korea since he began writing about it for LARB.
Cheap magazine stories may have fueled the way we fought the Vietnam War.
Sharing spectral moments in Vienna and Los Angeles with Freud, Thomas Mann, and Marjorie Perloff.
Declan Ryan celebrates the great Irish poet Derek Mahon, who passed away in October of this year.
Anandi Mishra reflects on the comforting tastes holding her steady during the pandemic.
Alex Ross discusses Wagner's influence
Shane Anderson reviews Rainald Goetz’s “Rave” (1998), recently translated from German to English by Adrian Nathan West.
Andrew Fedorov considers Christopher Nolan’s Victorian sensibility and its elision from Tom Shone’s “The Nolan Variations.”
Lawrence Venuti resurrects the fantastic tales of Iginio Ugo Tarchetti.
As Maggie Hennefeld explains, Sacha Baron Cohen’s satire takes scatological aim at the American body politic at its most abject.