Against Identification: The Abject Camp of “The Witches” (1990)
Charles Ramsay McCrory explores the intertwining affects of identification, attraction, and abjections in the 1990 children’s horror film, “The Witches.”
Charles Ramsay McCrory explores the intertwining affects of identification, attraction, and abjections in the 1990 children’s horror film, “The Witches.”
What can Caroline Calloway tell us about media culture, the self-branding industry, gig work, and a growing army of hungry creatives vying for attention?
What online games can tell us about our culture of cutthroat competition and rampant inequality.
Jeffrey Wasserstrom talks with Julia Lovell about translating the foundational Chinese novel "Journey to the West."
Ben Libman reviews “Jack,” the fourth installment in Marilynne Robinson’s Gilead series.
Alissa G. Karl offers a labor theory of Gen X.
John Macintosh charts "History in Financial Times," the new book by Amin Samman.
Breaking down High Femme Camp Antics, both classic and personal
Nile Green reviews "Modern Things on Trial: Islam’s Global and Material Reformation in the Age of Rida, 1865–1935" by Leor Halevi.
Kim Stanley Robinson and Everett Hamner discuss “The Ministry for the Future,” ecological defense, gender equity, economic policy, and ecoreligion.
Colin Dayan discusses her new memoir of growing up in the American South, “Animal Quintet.”
Joanna Chen observes the coming winter in Dublin and contemplates a Seamus Heaney poem.
Douglas Smith investigates two recent books on foreign intervention in the Russian Civil War.
Ravi Ghosh reviews Alex Niven’s “New Model Island” and reflects on the current state of the UK’s political sphere.
Jennifer Croft speaks to her fellow translators of Olga Tokarczuk, winner of the 2018 Nobel Prize in Literature, who accepted the award one year ago today.