Almost Home
The rebel flag, monuments to the Lost Cause, and beyond: the artifacts of white supremacy are part of the landscape of Atlanta.
The rebel flag, monuments to the Lost Cause, and beyond: the artifacts of white supremacy are part of the landscape of Atlanta.
Michael Scott Moore reviews D. J. Waldie's new book, "Becoming Los Angeles: Myth, Memory, and a Sense of Place."
Elliot Schiff talks with Laura van den Berg about her new short story collection, “I Hold a Wolf by the Ears.”
Talking to author Sarah Shun-Lien Bynum
Jae Kim connects with “DMZ Colony,” the National Book Award–winning collection of poems by Don Mee Choi.
Matt Joy reviews "The Second Chance Club," Jason Hardy's memoir of his life as a parole officer.
Japanese Prime Minister Shinzō Abe built an image of a creative disruptor. He disrupted a lot, but he didn’t create much.
Cornel Bonca contends with "The Silence," the latest novel from Don DeLillo.
Derik Smith reviews Matt Sandler’s latest work, “The Black Romantic Revolution.”
Nadia Davids reflects on the sawed-away bust of Cecil Rhodes in light of confrontations with memorials both in Cape Town and across the world.
Rainer Forst warns of class apathy and the faltering notion of majority rule, for the Thomas Mann House series "55 Voices for Democracy."
Ignacio M. Sánchez Prado reviews "On Lighthouses," the new essay collection by Jazmina Barrera translated by Christina MacSweeney.
Henry Cowles describes how our technologies anchor our metaphors, which in turn anchor how we think about the brain — and ourselves.