Storytelling as Reparative Act
Bernabé S. Mendoza examines Nnedi Okorafor’s “Death of the Author.”
Bernabé S. Mendoza examines Nnedi Okorafor’s “Death of the Author.”
Samuel Rutter interviews Abdulrazak Gurnah on colonial legacies and the direction of contemporary literature, in a preview of LARB Quarterly no. 45: “Submission.”
Jenessa Abrams reviews Yiyun Li’s “Things in Nature Merely Grow.”
Here’s to another year of freedom.
For July 4th, we dive into the archives to bring you an episode that still feels quite timely. Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her new collection, “Abolition Geography.”
Charley Burlock interrogates the myths surrounding wildfires, grief, and California's supposed “gasoline trees” in an essay from LARB Quarterly no. 45: “Submission.”
Kristen R. Ghodsee considers the anti-communist contexts that birthed the alt-right, in a review of Quinn Slobodian’s new book “Hayek’s Bastards.”
Paul Thompson reviews Nathan Fielder’s “The Rehearsal.”
Ted Barrow visits Lisa Jo’s exhibit “Ecology of Fear” at Gallery Wendi Norris.
Jack Lubin considers state censorship and New Orleans rapper B.G.’s album “Freedom of Speech,” in a preview of LARB Quarterly no. 45: “Submission.”
Andrew Stojkovich reviews Andreas Elpidorou’s “The Anatomy of Boredom.”
Jordan Brower considers the abjuring of depth undertaken by the Apple TV+ series “Severance.”
Jane Hayward reads two recent books on China’s post-Mao reform period.
Annie Berke watches Celine Song’s new film “Materialists” and the Netflix show “With Love, Meghan.”
Reece Sisto reviews Jeff Weiss’s “Waiting for Britney Spears.”
Dan O’Sullivan traces the legacy of right-wing ideologies in California.