What Can Enlightened Coders Really Do?
Evan Selinger reads Darryl Campbell’s “Fatal Abstraction: Why the Managerial Class Loses Control of Software” with the realities his students face in mind.
Evan Selinger reads Darryl Campbell’s “Fatal Abstraction: Why the Managerial Class Loses Control of Software” with the realities his students face in mind.
Åsmund Borgen Gjerde excavates the link between Ole Ivar Lovaas’s Nazi past and his UCLA-based work on “curing” autistic children.
The LARB Quarterly, issue no. 44, “Pressure,” presents an excerpt from Hannah Zeavin’s “Mother Media.”
Ronjaunee Chatterjee speaks with Nathan Brown about his new translation of Charles Baudelaire’s “The Flowers of Evil.”
Sarah McEachern reviews Jon Hickey’s debut novel “Big Chief.”
Heather Treseler reviews John Koethe’s new collection “Cemeteries and Galaxies.”
Grace Byron interviews Andrea Long Chu about her new book, “Authority.”
Grace Linden reviews Katie Kitamura’s “Audition”
Leland de la Durantaye considers art, abstraction, and violence in Rachel Cusk’s “Parade.”
Wade Newhouse considers Camilla Bruce’s new horror novel “At the Bottom of the Garden.”
Zach Gibson reviews Adam Kelly’s “New Sincerity: American Fiction in the Neoliberal Age.”
The LARB Quarterly presents an excerpt from Quino’s “Mafalda,” translated by Frank Wynne, in issue no. 44, “Pressure.”
Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, “Thrilled to Death,” a collection of short stories selected from over four decades of her work.
Jeffrey C. Isaac sees modern American parallels in Benjamin Nathan's book about Soviet dissidents.
Skijler Hutson considers how the Los Angeles freeway system has figured in fiction.
Adedayo Agarau reviews W. J. Lofton’s collection “boy maybe.”