Paranoia, Perspicacity, and Afro-Asian Pessimism
Anne Anlin Cheng looks deeper into Ryan Coogler’s new film “Sinners” and its violent exploration of racial oppression.
Anne Anlin Cheng looks deeper into Ryan Coogler’s new film “Sinners” and its violent exploration of racial oppression.
Kieran Setiya reviews Christoph Schuringa’s “A Social History of Analytic Philosophy.”
Isabelle Stuart examines Megan Hunter’s new novel, “Days of Light.”
Sophie Lewis considers Keiran Goddard’s “I See Buildings Fall Like Lightning.”
Doyle D. Calhoun visits “Black Paris: Artistic Circulations and Anti-Colonial Struggles, 1950–2000” at the Centre Pompidou.
L. Benjamin Rolsky explores Quinn Slobodian’s “Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right.”
Grant Sharples interviews the filmmaker Alex Ross Perry about “Pavements,” his unconventional new feature about the band.
Guobin Yang dives into two new books on Mao-era China.
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman wrestle with the question: What are we to do about shame?
Andrew Koenig considers Elisha Cohn’s “Milieu: A Creaturely Theory of the Contemporary Novel.”
Joel Seligman discusses Stephen H. Legomsky’s radical call for restructuring the American republic.
Dan Sinykin interviews Tom Comitta about their latest project, “People’s Choice Literature: The Most Wanted and Unwanted Novels.”
Susan Blumberg-Kason reviews recent books about the aftermath of China’s one-child policy and the experience of women in contemporary China.
Cy Twombly was all over New York and Dean Rader was there to see it.
Chris Featherman looks at Marlène Laruelle’s “Ideology and Meaning-Making Under the Putin Regime.”
Joshua D. Rothman reviews Zaakir Tameez’s biography “Charles Sumner: Conscience of a Nation.”