The First Rough Draft of the United States’ Homegrown Nazis
Michael Bobelian considers the renewed relevance of “Under Cover,” Arthur Derounian’s 1943 exposé of the United States’ Nazi underworld.
Michael Bobelian considers the renewed relevance of “Under Cover,” Arthur Derounian’s 1943 exposé of the United States’ Nazi underworld.
Gabrielle McClellan watches Durga Chew-Bose’s debut feature film “Bonjour Tristesse.”
Sarah Moorhouse reads Sue Prideaux’s “Wild Thing: A Life of Paul Gauguin.”
Alyssa Quinn reviews Ben Segal’s experimental novel “Tunnels.”
As Lionsgate ramps up filming the newest “Hunger Games” prequel adaptation, Jazmine Agregado revisits the franchise’s popular indictment of our attraction to violent on-screen spectacle.
Madelyn Dawson interviews Sarah Manguso about her new book “Questions Without Answers.”
Tianyi considers Yuki Tanaka’s debut collection “Chronicle of Drifting.”
Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, “Crumb: A Cartoonist's Life.”
Paul North finds a prescient analysis of the end of the American republic in Karl Marx’s essay “The Eighteenth Brumaire of Louis Bonaparte.”
Kelly Hammond reviews Stephen R. Platt’s “The Raider: The Untold Story of a Renegade Marine and the Birth of U.S. Special Forces in World War II” alongside other new work about East Asia in World War II.
Oliver Wang interviews legendary Chinese American actress Lisa Lu about her 65-year film career.
Matthew Longo examines Ed Pulford’s studies of culture and temporality within the China-Russia-Korea borderlands.
Kiese Laymon interviews Chi Rainer Bornfree and Ragini Tharoor Srinivasan about their epistolary pandemic memoir, “The End Doesn’t Happen All at Once.”
Bekah Waalkes reviews Turkish author Tezer Özlü’s novel “Journey to the Edge of Life,” translated by Maureen Freely.
Dive into a compulsively readable journey through philosophy, literature, and the antihero’s pursuit of self-improvement in the LARB Book Club Summer 2025 pick “Fresh, Green Life” by Sebastian Castillo.
Devin Thomas O’Shea pores over Andrew Hartman’s “Karl Marx in America.”