Tight Wires: On Sandra Simonds’s “Assia”
Kristin Grogan reviews Sandra Simonds’ “Assia.”
Kristin Grogan reviews Sandra Simonds’ “Assia.”
Robert Slayton examines Adam Hochschild’s “American Midnight.”
Stephen Schryer excavates the roots of contemporary anti-woke politics in the work of the father of modern movement conservatism.
Ricardo L. Ortiz reviews Yxta Maya Murray’s “God Went Like That.”
Lara Vergnaud reflects on translation and motherhood.
Cody Siler writes about the search for an identifiable self in Patricia Highsmith’s novels and diaries.
Steven W. Thrasher surveys the onscreen evolution of viruses in the wake of our collective experience with COVID-19.
Adam Kelly delves into the murky intersection of art and politics in Putin’s Russia, through the work of Vladislav Surkov.
Robert Pogue Harrison approaches Epicurus for different ways of looking at the problems of today.
Rebecca L. Spang reviews Jacob Soll’s “Free Market: The History of an Idea” and Stefan Eich’s “The Currency of Politics: The Political Theory of Money from Aristotle to Keynes.”
D. Harlan Wilson reviews Silvia Moreno-Garcia’s “The Daughter of Doctor Moreau.”
Eric Newman is joined by LA RB Film Editor Annie Berke and film critic Kyle Turner for a special 2023 Oscars Preview episode.
Frank Falisi writes about Martin McDonagh’s treatment of art and politics in “The Banshees of Inisherin” and his other works.
Katherine Voyles and Nathan White consider Phil Klay’s recent book of essays on war, “Uncertain Ground: Citizenship in an Age of Endless, Invisible War.”
Nicole Bauer explores how the French Revolution made conspiracy theory central to modern political discourse.
Claire Calderón reviews Nona Fernández’s “Voyager: Constellations of Memory,” translated by Natasha Wimmer.