On Excavating the Novel and “Toni Morrison: Sites of Memory”
Jasmine Liu visits Princeton University Library’s exhibition of Toni Morrison’s archive.
Jasmine Liu visits Princeton University Library’s exhibition of Toni Morrison’s archive.
Medaya Ocher is joined by writer and critic Claire Dederer to discuss Monsters: A Fan’s Dilemma.
Jeffrey Binder uses the rise of ChatGPT to explore the backstory of our unease with artifice.
Adèle Cassigneul reviews Alice Blackhurst’s “Luxury, Sensation and the Moving Image,” and, in doing so, interrogates feminist artistic constellations as they are traditionally understood.
Megan Vered reviews Ava Chin’s “Mott Street: A Chinese American Family’s Story of Exclusion and Homecoming.”
Katharine Coldiron looks at the cultural dysphoria caused by the Hays Code in US cinema.
Howard J. Curzer reviews Paul Woodruff’s “Living Toward Virtue: Practical Ethics in the Spirit of Socrates.”
John Edward Martin reviews Victor LaValle’s “Lone Women.”
Chris Molnar reviews Ian Penman’s “Fassbinder Thousands of Mirrors.”
Devin Leigh evaluates the final work of Caribbean historian Eric Williams, “The Blackest Thing in Slavery Was Not the Black Man: The Last Testament of Eric Williams.”
Jaime Lowe reports on the neglect and exploitation coursing through the civilian fire infrastructure revealed after the release of her book “Breathing Fire.”
David Sherman reviews “When the Smoke Cleared: Attica Prison Poems and Journal,” edited by Celes Tisdale.
Terry Nguyen revisits Osamu Dazai through the newly translated “The Flowers of Buffoonery.”
Joe Donnelly reviews his friend and colleague Scott Timberg’s posthumous collection, “Boom Times for the End of the World.”
Matthew Blackwell excavates the analog roots of the digital humanities.
Kate Wolf is joined by Helen Cammock to discuss her latest exhibit and book, “I Will Keep My Soul.”