Your Genes Aren’t Your Destiny: On Ann Leckie’s “Translation State”
David M. Higgins reviews Ann Leckie’s “Translation State.”
David M. Higgins reviews Ann Leckie’s “Translation State.”
Hana Rivers reviews Brandon Shimoda’s “Hydra Medusa.”
Alexander Sorenson reviews two recently translated German novels, Marlen Haushofer’s “The Wall” and Esther Kinsky’s “Grove: A Field Novel.”
Greg Cwik reviews “Pictures of Apocalypse” by Thomas Ligotti.
Adolf Azulphar reviews Philip Dray's "A Lynching at Port Jervis: Race and Reckoning in the Gilded Age."
Skye C. Cleary interviews Regan Penaluna about her new book, “How to Think Like a Woman: Four Women Philosophers Who Taught Me How to Love the Life of the Mind.”
Mary L. Holden considers Melissa Sevigny’s “Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon.”
Katharine Coldiron ponders why we love the bad art we love.
Gabriel Hart reviews Jack Skelley’s “The Complete Fear of Kathy Acker.”
Eric Newman and Kate Wolf speak to the author Kristin Ross about her recent book, “The Politics and Poetics of Everyday Life,” a collection of essays that examine how everyday life emerges as a vantage point for understanding and transforming our social world.
Abigail Susik speaks with feminist philosopher Silvia Federici about abortion bans, reproductive justice, and the ongoing war against women.
Jeffrey J. Williams interviews Sheila Liming, author of the recent “Hanging Out: The Radical Power of Killing Time.”
Conor Williams reviews “Pasolini 101,” the new Criterion Collection box set on Italian director Pier Paolo Pasolini.
Liesl Schwabe reviews Douglas Ober’s “Dust on the Throne: The Search for Buddhism in Modern India.”
Chris Molnar reviews Howard Fishman’s “To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse.”
Sloane Holzer reviews Lee Mandelo’s “Feed Them Silence.”