A Wilderness of Mirrors: On Javier Marías’s “Tomás Nevinson”
William Flesch reviews Spanish author Javier Marías’s final novel, “Tomás Nevinson.”
William Flesch reviews Spanish author Javier Marías’s final novel, “Tomás Nevinson.”
Thalia Williamson analyzes how novels that limit or refuse paragraph breaks challenge our distracted modes of reading.
Gabriel J. Chin reviews Peter Irons’s “White Men’s Law: The Roots of Systemic Racism,” a study of the history of racism in the laws of the United States.
Paul Vangelisti reviews Guy Zimmerman’s “Outlaw Theatre: Field Notes from the Padua Hills Playwrights Workshop and Festival.”
Sarah Dowling reviews Elsa Dorlin’s “Self-Defense: A Philosophy of Violence.”
Ali Royals reviews Nicholas Britell’s “Succession: Season 4” soundtrack.
Frank Bergon argues that bad grammar is driving our gun problem, via the Supreme Court’s reading of the Second Amendment.
An autobiography by Harriet Jacobs, the first formerly enslaved African American woman to publish an account of her life, in her own words. Check out our Summer 2023 pick for the LARB Book Club: “Incidents in the Life of a Slave Girl” by Harriet Jacobs, edited by Koritha Mitchell.
Nico Slate talks about his late biracial brother, the inspiration for his new book “Brothers: A Memoir of Love, Loss, and Race.”
Lily Felsenthal speaks with Hannah Pittard about her new book “We Are Too Many: A Memoir [Kind Of].”
Medaya Ocher and Eric Newman speak to Rachel Nuwer about her recent book, “I Feel Love: MDMA and the Quest for Connection in a Fractured World.”
Amanda Walujono reviews Netflix’s new dramedy “Beef.”
Scott Burton interviews Dina Nayeri on her recent book “Who Gets Believed? When the Truth Isn’t Enough.”
Vivian Medithi reviews McKenzie Wark’s “Raving.”
Michele Willens reviews Tom Brokaw’s “Never Give Up: A Prairie Family’s Story.”
J. D. Connor writes about the writers’ demands in the WGA strike in Hollywood, and about how movies about contracts relate to a downturn in production. Are we entering an era of contraction?