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Echoes of the Original: On the Task of Translating Maria Schneider
Hannah Bonner looks at Elisabeth Subrin’s documentary, “Maria Schneider, 1983,” alongside Vanessa Schneider’s memoir, “My Cousin Maria Schneider.”
Hannah Bonner
Hannah Bonner’s essays and criticism have appeared, or are forthcoming, in Another Gaze, Bright Wall/Dark Room, Cleveland Review of Books, Literary Hub, The Rumpus, Senses of Cinema, and VIDA: Women in the Literary Arts. She is a 2023–24 NBCC Emerging Critics Fellow and currently a creative nonfiction MFA candidate at the University of Iowa, where she also earned an MA in film studies.
Articles
Ripening and Rotting in the Uncanny Valley: On Sarah Rose Etter’s “Ripe”
Hannah Bonner reviews Sarah Rose Etter’s new novel “Ripe.”
What the Center Holds: On Carl Elsaesser’s “Home When You Return”
Hannah Bonner considers the smudge in Carl Elsaesser’s 2021 film “Home When You Return.”
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