Throbbing Between World and Nothing: On Robert Glück’s “About Ed”
Rose Higham-Stainton reviews Robert Glück’s “About Ed.”
"The older one grows, the more one likes indecency." — Virginia Woolf
Rose Higham-Stainton reviews Robert Glück’s “About Ed.”
Rose Higham-StaintonDec 13, 2023
Fear and Writing in Xinjiang: On Tahir Hamut Izgil’s “Waiting to Be Arrested at Night: A Uyghur Poet’s Memoir of China’s Genocide” and Perhat Tursun’s “The Backstreets: A Novel from Xinjiang.”
Benno WeinerNov 28, 2023
Tom Zoellner talks to Lydia Otero about her new account of a young adulthood in Los Angeles, “L.A. Interchanges: A Brown & Queer Archival Memoir”
Tom ZoellnerNov 13, 2023
Hannah Bonner looks at Elisabeth Subrin’s documentary, “Maria Schneider, 1983,” alongside Vanessa Schneider’s memoir, “My Cousin Maria Schneider.”
Hannah BonnerNov 9, 2023
Thom Sliwowski reviews Marie Darrieussecq’s “Sleepless: A Memoir of Insomnia.”
Thom SliwowskiNov 6, 2023
Ayden LeRoux reviews Sophia Giovannitti’s “Working Girl: On Selling Art and Selling Sex.”
Ayden LeRouxNov 3, 2023
Mariella Rudi reviews Kate Flannery’s “Strip Tees: A Memoir of Millennial Los Angeles.”
Mariella RudiNov 2, 2023
In a preview of the new LARB Quarterly, no. 39: “Air,” Dan O’Brien finds symbols of life and faith in the theater.
Dan O’BrienOct 30, 2023
In a preview of the new LARB Quarterly, no. 39: “Air,” Corina Zappia considers the state of travel for single women.
Corina ZappiaOct 27, 2023
A. C. Huyen reviews Curtis Chin’s “Everything I Learned, I Learned in a Chinese Restaurant.”
A. C. HuyenOct 27, 2023
Arundhati Roy accepts the Charles Veillon Foundation’s 45th European Essay Prize for lifetime achievement.
Arundhati RoyOct 21, 2023
Tamara MC reviews Guinevere Turner’s “When the World Didn’t End.”
Tamara MCOct 9, 2023