A Queer Pilgrimage to Crema
Mikaella Clements goes to Crema, Italy, the setting of Luca Guadagnino’s lush film adaptation of André Aciman’s “Call Me by Your Name.”
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Mikaella Clements goes to Crema, Italy, the setting of Luca Guadagnino’s lush film adaptation of André Aciman’s “Call Me by Your Name.”
Mikaella ClementsMay 17, 2018
In “Men and Apparitions,” she seesaws between an analysis of physical pictures and an examination of the ways we picture ourselves and others.
Evan MoffittMay 14, 2018
Megan Moodie interviews Irene Lusztig about her new movie, "Yours in Sisterhood."
Megan MoodieMay 11, 2018
Jacquelyn Ardam on the ecstasy of detritus in Tommy Pico’s “Junk.”
Jacquelyn ArdamMay 10, 2018
Kate Wolf interviews “Motherhood” author Sheila Heti.
Kate WolfMay 7, 2018
Carlos Ulises Decena finds a welcome, nuanced portrait of queer history in Julio Capó Jr.’s “Welcome to Fairyland: Queer Miami before 1940.”
Carlos Ulises DecenaMay 6, 2018
Change the political genre, fight for something new, Acker’s work urges us, because conventional politics in the post-factual age is failing to evolve.
Ralph ClareMay 2, 2018
Jacquelyn Ardam reviews Michelle Dean’s “Sharp: The Women Who Made an Art Out of Having an Opinion.”
Jacquelyn ArdamApr 19, 2018
Daniel Zamora and Mitchell Dean draw parallels between Michel Foucault’s “History of Sexuality” and the rise of neoliberalism.
Daniel Zamora, Mitchell DeanApr 18, 2018
Kelly Coyne revisits "Grey Gardens."
Kelly Marie CoyneApr 18, 2018
Lauren Young talks to Winnie M. Li about her debut novel, “Dark Chapter,” and the aesthetic and political struggles of translating the nuances of recovery.
Lauren YoungApr 17, 2018
Graeme Reid, director of the LGBT Rights Program at the Human Rights Watch, on a grim year in LGBT civil rights and what it means for the path forward.
Graeme ReidApr 16, 2018