Endless Constellations: On “Women in Concrete Poetry 1959–1979”
Theadora Walsh reviews “Women in Concrete Poetry 1959–1979,” edited by Alex Balgiu and Mónica de la Torre.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Theadora Walsh reviews “Women in Concrete Poetry 1959–1979,” edited by Alex Balgiu and Mónica de la Torre.
Theadora WalshJan 25, 2021
Sarah Fonseca on how Abigail Shrier's trolling interpretation of the United States Constitution threatens to put millions of kids’ lives in jeopardy.
Sarah FonsecaJan 17, 2021
Evan Pheiffer offers a portrait of his grandmother, Jayne, whose life spanned a tumultuous century.
Evan PheifferJan 16, 2021
Kyle Turner talks to Michael Breslin, Patrick Foley, Ariel Sibert, the creators behind "Circle Jerk."
Kyle TurnerJan 16, 2021
Michael M. Weinstein looks at Sharon Liese’s new HBO documentary, “Transhood,” which explores the lives of children living beyond the gender binary.
Michael M. WeinsteinJan 12, 2021
As a young woman, I fell in love with a man who owned a machete. He terrorized me for over a year. I have no doubt he would have killed me if I had stayed.
Leanne PhillipsJan 6, 2021
Michael Nava reviews Mark Gevisser’s “The Pink Line,” a study of LGBTQ struggles for civil rights across the world.
Michael NavaDec 30, 2020
The new film “Enola Holmes” illustrates a cultural shift in how girlhood is conceptualized and understood.
Claudia McCarronDec 26, 2020
Nancy Conyers on coming out during the holiday season.
Nancy L. ConyersDec 25, 2020
Charles O’Malley on the innovative, urgent history of Black HIV/AIDS activism in Dan Royles’s “To Make the Wounded Whole.”
Charles O’MalleyDec 17, 2020
Charles Ramsay McCrory explores the intertwining affects of identification, attraction, and abjections in the 1990 children’s horror film, “The Witches.”
Charles Ramsay McCroryDec 10, 2020
Francesca Ebel listens to the varied voices of “F Letter: New Russian Feminist Poetry.”
Francesca EbelDec 6, 2020