“I Was a Daughter — Existentially”: On “Relic” and Daughterhood in Contemporary Horror
Laura Maw considers the role of daughterhood in contemporary horror cinema, focusing in particular on the 2020 film “Relic.”
Laura Maw is a writer of essays and criticism on horror in film, art, and culture. Her work has featured in the New Statesman, Hazlitt, Catapult, and Electric Literature, among others.
Laura Maw considers the role of daughterhood in contemporary horror cinema, focusing in particular on the 2020 film “Relic.”