How the World Ends: On Lindsay Turner’s “The Upstate”
Rona Cran reviews “The Upstate” by Lindsay Turner.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Rona Cran reviews “The Upstate” by Lindsay Turner.
Rona CranNov 4, 2023
Recent TV series have been imagining worlds without men. What does this absence make possible? asks Elizabeth Alsop.
Elizabeth AlsopNov 3, 2023
Ayden LeRoux reviews Sophia Giovannitti’s “Working Girl: On Selling Art and Selling Sex.”
Ayden LeRouxNov 3, 2023
Aya Labanieh analyzes the history of the anti-masturbation NoFap movement, which has historical roots far beyond contemporary internet culture.
Aya LabaniehNov 1, 2023
Meredith Maran reviews Caitlin Moran’s “What About Men? A Feminist Answers the Question.”
Meredith MaranOct 30, 2023
Godelieve de Bree reviews Carmen Boullosa’s “The Book of Eve”
Godelieve de BreeOct 29, 2023
Marlena Williams and S. Trimble discuss their shared work on the queer resonances of “The Exorcist.”
Marlena Williams, S. TrimbleOct 27, 2023
Anne Anlin Cheng recalls her first, foreign Barbie experience.
Anne Anlin ChengOct 20, 2023
In a preview of the new LARB Quarterly, no. 39: “Air,” Meghan Racklin considers the life and imperfectly rendered image of Empress Elisabeth of Austria.
Meghan RacklinOct 20, 2023
Evangeline Riddiford Graham reviews Carolyn Dever’s “Chains of Love and Beauty: The Diary of Michael Field.”
Evangeline Riddiford GrahamOct 16, 2023
Eliana Rozinov examines the figure of Midge as a mythical phenomenon, a pregnant doll, and a variation of the “promising young woman” trope.
Eliana RozinovOct 12, 2023
Emily Tamkin documents her Jiří Menzel binge and explains how and why his films hold up so well today.
Emily TamkinSep 28, 2023