Something Intricate and Many-Chambered: On Adapting Virginia Woolf’s “Orlando”
Julia Sirmons compares three adaptations of Virginia Woolf’s “Orlando”: “Freak Orlando,” “Orlando,” and “Orlando: My Political Biography.”
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Julia Sirmons compares three adaptations of Virginia Woolf’s “Orlando”: “Freak Orlando,” “Orlando,” and “Orlando: My Political Biography.”
Julia SirmonsNov 25, 2023
Jenna N. Hanchey reviews Yvette Lisa Ndlovu’s “Drinking from Graveyard Wells.”
Jenna N. HancheyNov 22, 2023
Rebecca Teich reviews Kimberly Alidio’s “Teeter.”
Rebecca TeichNov 21, 2023
Tanya Ward Goodman reviews Minna Dubin’s “Mom Rage: The Everyday Crisis of Modern Motherhood.”
Tanya Ward GoodmanNov 20, 2023
Slava Greenberg looks at the legacy of Netflix’s series “Sex Education” in light of its finale
Slava GreenbergNov 16, 2023
Katherine Turk reviews Jenni Nuttall’s “Mother Tongue: The Surprising History of Women’s Words.”
Katherine TurkNov 15, 2023
Banu Subramaniam gets whiplash when she reads Richard O. Prum’s “Performance All the Way Down: Genes, Development, and Sexual Difference.” For a book engaging with queer theory, it is decidedly unqueer, she writes.
Banu SubramaniamNov 15, 2023
Hannah Bonner looks at Elisabeth Subrin’s documentary, “Maria Schneider, 1983,” alongside Vanessa Schneider’s memoir, “My Cousin Maria Schneider.”
Hannah BonnerNov 9, 2023
Theresa Lin pays tribute to the at times revolting charm of filmmaker John Waters, whose unlikely exhibition is now on view at the Academy Museum.
Theresa LinNov 8, 2023
Rona Cran reviews “The Upstate” by Lindsay Turner.
Rona CranNov 4, 2023
Recent TV series have been imagining worlds without men. What does this absence make possible? asks Elizabeth Alsop.
Elizabeth AlsopNov 3, 2023
Ayden LeRoux reviews Sophia Giovannitti’s “Working Girl: On Selling Art and Selling Sex.”
Ayden LeRouxNov 3, 2023